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1 the Hall of Justice
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2 ♦ hall
♦ hall /hɔ:l/n.1 sala; salone; aula: a banqueting hall, una sala per banchetti; a dance hall, una sala da ballo; the hall of a castle, il salone d'un castello; lecture hall, sala per conferenze; aula universitaria; village hall, centro socioculturale di paese2 palazzo; grande villa: the town (o city) hall, il municipio; the County Hall, il palazzo della Contea (del «County Council»); the Hall of Justice, il Palazzo di Giustizia; sports hall, palazzo dello sport4 [u] ( nelle università inglesi, = hall of residence) casa dello studente; collegio universitario: DIALOGO → - Accommodation- I've got a room in halls, ho una stanza in uno studentato7 (fam.) music hall; teatro di varietà● ( USA) hall bedroom, angolo letto □ hall door, ingresso principale □ (spec. USA) Hall of Fame, palazzo (o sala) che racchiude memorie di personaggi famosi che vi sono stati di passaggio; (fig.) gruppo di personaggi illustri □ ( USA) hall porter, portiere (o fattorino) d'albergo □ hall stand, attaccapanni a parete ( con cassoncino, specchio, ecc.) □ (spec. USA) hall tree, attaccapanni (a stelo). -
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{hɔ:l}
1. зала, салон, приемна/банкетна зала, хале
2. университетска трапезария (в Англия), обед в такава трапезария, общежитие в университет (в Англия)
3. замък, голяма къща, резиденция (на земевладелец)
4. голяма обществена сграда, община, палата, сграда/зала за събрания на организация, дом
concert HALL концертна зала
the HALLs (съкр. от music HALLs)
HALL of Justice съдебна палата
5. антре, преддверие
6. столова и всекидневна за прислугата в голяма къща (и servant's HALL)
7. ам. коридор* * *{hъ:l} n 1. зала; салон; приемна/банкетна зала; хале; 2. универс* * *чертог; хол; салон; палата; приемна; антре; зала;* * *1. concert hall концертна зала 2. hall of justice съдебна палата 3. the halls (съкр. от music halls) 4. ам. коридор 5. антре, преддверие 6. голяма обществена сграда, община, палата, сграда/зала за събрания на организация, дом 7. зала, салон, приемна/банкетна зала, хале 8. замък, голяма къща, резиденция (на земевладелец) 9. столова и всекидневна за прислугата в голяма къща (и servant's hall) 10. университетска трапезария (в Англия), обед в такава трапезария, общежитие в университет (в Англия)* * *hall[hɔ:l] n 1. зала, салон, приемна (банкетна) зала; concert \hall концертна зала; music-\hall мюзикхол, вариете; концертна зала; 2. трапезария (в университет) (и dining-\hall); обед в университетска трапезария; 3. замък, къща (резиденция) на земевладелец; 4. голяма обществена сграда; община, палата; сграда (зала) за събрания на организация, дом; town \hall община, общинска палата, градски съвет; H. of Justice съдебна палата; \hall of residence; 5. общежитие при университет; 6. антре, преддверие; хол, вестибюл (и entrance-\hall); 7. коридор; 8. (производствено) хале; machine \hall машинна зала, машинно отделение. -
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[hɔ:l] n1. 1) зал; большое помещениеdance hall - дансинг, танцевальный зал
lecture hall - конференц-зал, аудитория
assembly /school/ hall - актовый зал
athletic [fencing] hall - зал для лёгкой атлетики [для фехтования]
2) возвыш. чертогHall of Fame - а) пантеон (в Нью-Йорке; галерея с бюстами выдающихся людей); б) зал славы (в университете и т. п.); мемориальная комната, комната-музей (с портретами учёных, героев и т. п.); в) плеяда великих людей, знаменитостей и т. п.
she won a lasting place in the actors' hall of Fame - слава этой актрисы никогда не умрёт
2. 1) здание колледжа или университета, предназначенное для собраний или занятий; университетское общежитие2) студенты, живущие или занимающиеся в этом здании3) редк. университетский колледж3. 1) университетская столовая2) обед в университетской столовой4. административное зданиеtown hall - ратуша, здание муниципалитета
5. холл, вестибюль, приёмная; коридор (тж. entrance hall)6. помещичий дом, усадьба7. разг. pl мюзик-холлto be /to appear/ on the halls - появляться на эстраде, выступать
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kb. 1 ruang(an) the front h. ruang depan. 2 aula/ruang. 3 gang. h. of justice gedung pengadilan. -
7 court
1. n судAdmiralty Court, Court of Admiralty — адмиралтейский суд
court of arbitration — третейский суд, арбитраж
contempt of court — неуважение к суду, оскорбление суда
each candidate has been given his day in court — каждому кандидату была предоставлена возможность изложить свою позицию
2. n судебное заседаниеinvestigating court — суд, производящий судебное следствие
3. n здание суда; зал суда4. n судьи; судья5. n дворarcaded court — двор, отгороженный аркадами
outer court — передний двор, двор перед зданиями
6. n спорт. корт, площадка для игры в теннисcourt tennis — королевский теннис, рил-теннис
hard court — твёрдое поле, корт с твёрдым покрытием
7. n ухаживание8. n правление9. n тупик10. v ухаживать; искать расположения11. v разг. встречаться; иметь свидания12. v соблазнять; переманивать, привлекать13. v своим поведением навлекать на себяto court disaster — навлечь на себя несчастье; напрашиваться на неприятность
Синонимический ряд:1. attendants (noun) attendants; entourage; retinue; train2. audience (noun) audience; hearing; session3. courthouse (noun) city hall; county courthouse; court building; courthouse; courtroom; federal building; hall of justice; justice building; municipal building4. courtyard (noun) atrium; close; courtyard; curtilage; enclosure; patio; plaza; quad; quadrangle; square; street; yard5. forum of justice (noun) bar; bench; board; forum; forum of justice; judge; judicial forum; judiciary; justice; lawcourt; magistrate; tribunal6. playing field (noun) arena; circus; cockpit; field; lists; playing field; ring; rink; the hardwood7. royal household (noun) castle; king; palace; royal government; royal household; royal persons; royal residence; royalty; sovereign8. address (verb) address; date; make up to; pursue; rush; spark; sue; sweetheart; woo9. blandish (verb) blandish; fawn; flatter; solicit10. invite (verb) beckon; induce; invite; provoke; tempt11. seek the hand of (verb) allure; attract; bid; entice; make suit; pay court to; plead; seek after; seek the hand of -
8 do.
abbrSee:* * *do.abbr.(comm., ditto) idem; come sopra.♦ (to) do /du:/A v. t.1 fare: to do a stupid [nice, etc.] thing, fare una cosa stupida [bella, ecc.]; He's done something terrible, ha fatto una cosa terribile; I don't know what I've done wrong, non so cosa io abbia fatto di sbagliato; What have you done?, cos'hai fatto?; to do one's duty [the right thing], fare il proprio dovere [la cosa giusta]; What are you doing?, che cosa stai facendo?; Can I do anything ( for you)?, posso fare qualcosa (per te)?; They did nothing to help me, non hanno fatto niente per aiutarmi; to do a sum, fare una somma; We did the journey in two days, abbiamo fatto il viaggio in due giorni; I've done three copies of the letter, ho fatto tre copie della lettera; Can you do a list?, puoi fare una lista?; He did a series of watercolours of the Thames, ha fatto una serie di acquerelli raffiguranti il Tamigi; She's doing a documentary about old people, sta facendo un documentario sugli anziani2 fare, praticare ( un'attività): How long have you been doing yoga?, da quant'è che fai yoga?; What do you usually do?, che cosa fai di solito?; What do you do ( for a living)?, che lavoro fai?; I do pottery on Wednesdays, il mercoledì faccio un corso di ceramica; You need to do at least half an hour of exercise three times a week, devi fare almeno mezzora di esercizio tre volte la settimana; to do the ironing [washing, cooking, shopping, etc.], stirare, lavare i panni, cucinare, fare la spesa, ecc.; (fam.) to do lunch [a film, dinner, etc.], pranzare, guardare un film, cenare, ecc.3 vendere, avere: Do you do bus tickets, too?, avete (o vendete) anche i biglietti per l'autobus?; They don't do food, non servono da mangiare (o non vendono alimentari); They do stationery as well as books, vendono anche articoli di cancelleria oltre che libri; We do a huge range of household items, abbiamo un'enorme gamma di articoli per la casa4 fare, percorrere: We did 200 km on Saturday, abbiamo fatto 200 km sabato; They were doing 150 on the motorway, andavano ai 150 all'ora in autostrada5 fare, studiare: I did French for three years, ho fatto tre anni di francese; What is she doing at university?, cosa fa all'università?; We haven't done the First World War yet, non abbiamo ancora fatto la prima guerra mondiale6 (fam.) fare, passare ( un periodo): He's done four years in jail, ha fatto quattro anni di carcere; She's just done a year in the Paris office, ha appena passato un anno nella sede di Parigi; (fam.) to do time, scontare una pena7 fare, preparare ( del cibo): Can you do the potatoes?, puoi fare le patate?; I'll do a salad while you lay the table, faccio un'insalata mentre apparecchi la tavola; I'm doing fish, I hope that's ok, faccio del pesce, spero che vada bene8 (fam.) fare, pulire (o lavare, sistemare, ecc.): I've done the living room, now I'm going to do the hall, ho fatto il soggiorno, ora faccio l'ingresso; We did the garden at the weekend, abbiamo sistemato il giardino nel fine settimana; Someone comes to do the windows, viene qualcuno a lavare le finestre; to do the beds, fare i letti; to do the dishes, lavare i piatti; to do one's teeth, lavarsi i denti; to do one's hair [nails, makeup], farsi i capelli [le unghie, il trucco]; Who does your hair?, da che parrucchiere vai?9 rifare, pitturare (o tappezzare, ecc.): We haven't done the bedrooms yet, non abbiamo ancora rifatto le camere da letto; They've done the kitchen bright yellow, hanno pitturato la cucina di un giallo acceso NOTA D'USO: - non so come fare-10 (fam.) visitare: They did five cities in three days, hanno visitato cinque città in tre giorni; Have you done the Tower of London yet?, hai già visitato la torre di Londra?12 (fam.) andare bene a: A sandwich will do me fine, un panino mi va benissimo; I haven't got a large pack, will this one do you?, non ho confezioni grandi, questa Le va bene?14 (fam.) conciare per le feste; sistemare; ( anche) uccidere; far fuori (fam.): I'll do you!, ti sistemo io!15 fare, imitare ( un personaggio famoso, ecc.): He does the President brilliantly, è bravissimo a imitare il presidente; Can you do a Liverpool accent?, sai fare l'accento di Liverpool?16 (fam.) mettere dentro, arrestare; ( anche) fare la multa a: He was done for drug dealing, lo hanno messo dentro per spaccio; They did her for speeding ( o She was done for speeding), le hanno fatto la multa per eccesso di velocità, si è beccata una multa per eccesso di velocità17 ( slang) svaligiare; rapinare: They did three houses on the same street, hanno svaligiato tre case nella stessa viaB v. i.1 fare; agire: You did well to refuse, hai fatto bene a rifiutare; I'll do as I like, faccio come mi pare; Do as you're told, fai quello che ti si dice2 (fam.) fare, evolvere: What do you think the weather's going to do tomorrow?, cosa pensi che farà il tempo domani?; No one knows what the economy's going to do over the next six months, nessuno sa come evolverà l'economia nei prossimi sei mesi3 – to be doing well [fine, ok, etc.], stare bene [benissimo, abbastanza bene] ( di salute): Mother and child are doing very well, la madre e il bambino stanno benissimo; He's not doing too well, non sta molto bene4 ( di persona, attività) andare: You haven't done badly, non sei andato male; I didn't do well in my exams, non sono andato bene agli esami; How do you think England will do?, come pensi che andrà l'Inghilterra?; The business is doing very well, l'azienda va a gonfie vele; We're doing all right, ce la caviamo piuttosto bene; DIALOGO → - Petrol- How are we doing for petrol?, come siamo messi a carburante?5 bastare: Will fifty dollars do?, basteranno cinquanta dollari?; DIALOGO → - Local shop 1- «Anything else?» DIALOGO → - Local shop 1- «No, that'll do, thanks», «Nient'altro?» «No, va bene così, grazie»; That will do!, adesso basta!6 andare bene lo stesso; essere accettabile: This dress isn't exactly what I wanted, but I suppose it will do, questo vestito non è proprio quello che volevo, ma presumo che andrà bene lo stesso; The house is not ideal, but it will do for now, la casa non è ideale, ma per il momento bisognerà accontentarsi7 (sempre neg.) andare bene, essere opportuno: It doesn't do to work too hard, lavorare troppo non va bene; I've told you before, this kind of behaviour just won't do, te l'ho già detto: questo modo di comportarsi proprio non va bene; It wouldn't do to ask him for money, non starebbe bene chiedergli dei soldi; DIALOGO → - Organizing a meeting- Sorry, I can't do Thursday afternoon, mi dispiace, giovedì pomeriggio non posso1 (nelle frasi interr., neg. e interr. neg.; è idiom.): Do you understand?, capisci?; I don't understand, non capisco; Does he know?, lo sa?; He does not ( o doesn't) know, non lo sa; Did you go?, ci sei andato?; They did not ( o didn't) ask me, non mi hanno invitato2 fare (determinato dal verbo precedente, di cui evita la ripetizione): If you want to tell him, do it now, se vuoi dirglielo, fallo ora; (idiom.) «Who took my hat?» «I did», «chi ha preso il mio cappello?» «sono stato io»; «Did you see him?» «I did», «l'hai visto?» «sì»3 (nell'imper. neg.; è idiom.): Do not ( o don't) worry!, non preoccuparti!; Don't let them interfere!, non lasciare che si intromettano!4 (nelle «tag questions») (è) vero?, no?: You don't like him, do you?, ti è antipatico, è vero?; You told him, didn't you?, glielo hai detto, no?; He didn't pay the bill, did he?, non l'ha (mica) pagato il conto, vero?; She doesn't know, does she?, lei non lo sa, no?5 (nella costruzione inversa; è idiom.): «I don't like it» «Neither do I», «Non mi piace» «Neanche a me»; «I didn't go» «Nor did I», «Non ci sono andato» «Nemmeno io»; «I like opera» «So do I», «Mi piace la lirica» «A me pure»; (form.) Little did he realize that…, quasi non si rendeva conto che…6 ( uso enfat.; è idiom.): Do sit down!, si accomodi, La prego!; Do help yourself!, serviti pure!; But I did see her!, sì che l'ho vista!; DIALOGO → - Clothes 1- I'm here if you do need anything, per qualsiasi cosa, io sono qui; I do love you, ti amo davvero; ( formula nel rito del matrimonio) «till death us do part», «finché morte non ci separi»● to do as (o for), (form.) to do duty as, fare da, servire da: The tents will do for shelter until the weather gets worse, le tende serviranno da riparo fino a che il tempo non peggiora □ to do sb. a bad turn, fare uno sgarbo (o una scortesia, un brutto tiro) a q. □ to do one's best (o utmost), fare del proprio meglio: I'll do my best to help him, farò del mio meglio per aiutarlo □ (fam. ingl.) to do one's bit, fare la propria parte (o il proprio dovere) □ to do the books (o the accounts), fare (o tenere) la contabilità □ to do business, fare affari: It's been a pleasure to do business with you, è stato un piacere fare affari con Lei □ to do well by sb., trattar bene q.: The company does well by its employees, l'azienda tratta bene i suoi dipendenti; to be [to feel] hard done by, essere [sentirsi] trattato male □ to do damage to st., danneggiare qc.: The storm did a lot of damage to buildings, il nubifragio ha danneggiato molto gli edifici □ (fam.) to do one's damnedest, darci sotto; mettercela tutta □ ( slang) to do drugs, drogarsi; farsi □ to do evil, fare del male; commettere azioni malvagie □ to do sb. a favour (o a kindness, a good turn), fare un favore (o un piacere) a q. □ to do (sb.) good, far bene (a q.): A rest will do you a lot of good, un po' di riposo ti farà molto bene □ to do (sb. o st.) harm, causare danni (a q. o qc.): The first rule for a doctor is to do no harm, la prima regola per un medico è non causare danni; The illness didn't do him any lasting harm, la malattia non gli ha causato danni permanenti □ to do sb. justice, rendere giustizia a q. (fig.): This photo doesn't do you justice, questa foto non ti rende giustizia □ (fam.) to do nice [generous, ecc.], comportarsi bene [con generosità, ecc.]: She doesn't do generous, non si comporta con generosità □ to do nicely, andare bene: If you can't be bothered with heavy reading, this book will do nicely, se non hai voglia di letture pesanti, questo libro andrà proprio bene □ to do nothing [a lot] for, non giovare [giovare molto] a; ( di abito, pettinatura, ecc.) non donare [donare molto] a: The scandal will do nothing for his reputation, lo scandalo non gioverà alla sua reputazione; This dress does nothing for her, questo vestito non le dona; Getting a job will do a lot for her confidence, trovare lavoro gioverà molto alla sua autostima □ to do the sights, visitare ( una città, ecc.) da turista □ (fam.) to do one's ( own) thing, fare quel che si vuole; fare il proprio comodo □ to do well for oneself, avere successo, fare fortuna: Grandfather did well for himself in America, il nonno ha fatto fortuna in America □ to do wonders for, fare miracoli per: A change of scene can do wonders for your mood, un cambiamento d'ambiente può fare miracoli per l'umore □ to do one's worst, fare quanto più male è possibile: Let him do his worst; I'm not afraid of him, faccia pure (il diavolo a quattro); non mi fa paura □ to do wrong, sbagliare: He did wrong, but he's paid for it, ha sbagliato, ma ha pagato per questo □ (fig.) do or die –: It's do or die, o la va o la spacca; a do-or-die attempt, un tentativo decisivo □ to have nothing to do with st. [sb.], non avere niente a che vedere con qc. [q.]: I'm sure Susan had nothing whatever to do with it, sono sicuro che Susan non ha proprio niente a che vedere con questo □ (fam.) nothing doing, niente da fare: We tried to change the tickets, but it was nothing doing, abbiamo provato a cambiare i biglietti, ma non c'è stato niente da fare □ (fam.) What's doing?, che si fa di bello?: What's doing tonight?, che si fa di bello stasera? □ (fam.) do what?, cosa?: «Fancy a drink?» «Do what?» «I said, do you want a drink?», «qualcosa da bere?» «cosa?» «ho detto, vuoi bere qualcosa?» □ That does it!, ecco fatto!; ( anche) adesso basta! □ That's done it!, bel guaio! □ That should do it!, ecco fatto! □ DIALOGO → - Greetings and other useful phrases- How do you do?, piacere! ( nelle presentazioni formali); ( anche) come sta? ( quando si conosce già la persona, ma non c'è intimità: cfr. How are you?) □ (fam.) DIALOGO → - Hearing from an old friend- «How are you doing?» DIALOGO → - Greetings and other useful phrases- «Not bad, and you?», «Come va?» «Non male, e tu?» □ It isn't done, non sta bene: It isn't done to talk with your mouth full, non sta bene parlare a bocca piena □ Now you've done it!, l'hai fatta bella (o grossa)! □ You [He, They, etc.] would do well to do st., faresti [farebbe, farebbero, ecc.] bene a fare qc.: They would do well to remember who pays their salaries, farebbero bene a ricordarsi chi gli paga lo stipendio □ What will you do for food [money]?, come farete per il mangiare [i soldi]? □ (fam.) What are you doing out at this time of night?, che ci fai fuori a quest'ora di notte? □ (fam.) What's my jacket doing on the floor?, che ci fa la mia giacca per terra? -
9 fight
1. past tense, past participle - fought; verb1) (to act against (someone or something) with physical violence: The two boys are fighting over (= because of) some money they found.) pelear (se), luchar2) (to resist strongly; to take strong action to prevent: to fight a fire; We must fight against any attempt to deprive us of our freedom.) luchar, combatir3) (to quarrel: His parents were always fighting.) pelear (se), discutir
2. noun1) (an act of physical violence between people, countries etc: There was a fight going on in the street.) pelea2) (a struggle; action involving effort: the fight for freedom of speech; the fight against disease.) lucha3) (the will or strength to resist: There was no fight left in him.) combatividad4) (a boxing-match.) combate•- fighter- fight back
- fight it out
- fight off
- fight one's way
- fight shy of
- put up a good fight
fight1 n lucha / peleafight2 vb1. luchar2. pelearsetr[faɪt]1 (struggle) lucha3 (boxing) combate nombre masculino4 (resistance) combatividad nombre femenino, ánimo1 (quarrel) pelear(se) (about/over, por), discutir (about/over, por)2 (in boxing) pelear ( against, contra)3 (with physical violence) pelearse ( with, con) ( against, contra), luchar ( with, con) ( against, contra)1 (bull) lidiar3 (with physical violence) pelearse, luchar4 figurative use (strive to overcome, prevent) luchar, combatir5 SMALLLAW/SMALL recurrir contra6 (fire) apagar, combatir\SMALLIDIOMATIC EXPRESSION/SMALLto fight a case SMALLLAW/SMALL defenderse contra un cargoto fight it out decidirlo, resolverloto fight one's way through lograr abrirse pasoto fight for one's life luchar por la vidato fight like a tiger luchar como un jabatoto fight a losing battle luchar por una causa perdidato fight shy of something/somebody evitar algo/a alguiento fight to the finish luchar hasta el finalto pick a fight with somebody meterse con alguiento put up a fight oponer resistencia: luchar, combatir, pelearfight vt: luchar contra, combatir contrafight n1) combat: lucha f, pelea f, combate m2) match: pelea f, combate m (en boxeo)3) quarrel: disputa f, pelea f, pleito mn.• batalla s.f.• combate s.m.• cuchillada s.f.• guerra s.f.• lid s.f.• lidia s.f.• lucha s.f.• marimorena s.f.• pelea s.f.• pendencia s.f.• pugna s.f.• rija s.f.• riña s.f.• ruptura s.f.• sarracina s.f.v.(§ p.,p.p.: fought) = batallar v.• batir v.• bregar v.• combatir v.• disputar v.• guerrear v.• lidiar v.• luchar v.• militar v.• pelear v.• pugnar v.• reñir v.
I
1. faɪt(past & past p fought) intransitive verba) \<\<army/country\>\> luchar, combatir; \<\<person\>\> pelear, luchar; \<\<animal\>\> lucharto fight AGAINST somebody/something — luchar contra alguien/algo
to fight FOR somebody/something — \<\<for country/cause\>\> luchar por alguien/algo; \<\<for aim/policy\>\> luchar por conseguir or lograr algo
to fight shy of something: he tends to fight shy of emotional commitments — tiende a eludir or evitar los compromisos afectivos
b) ( quarrel)to fight OVER/ABOUT something — pelearse por algo
c) fighting pres p <troops/units> de combate
2.
vt1)a) \<\<army/country\>\> luchar or combatir contraif you want it, you'll have to fight me for it — si lo quieres vas a tener que vértelas conmigo
Frazier fought Ali for the world title — Frazier peleó contra Ali or se enfrentó a Ali por el título mundial
I had to fight my way into the hall — tuve que abrirme camino or paso a la fuerza para entrar en la sala
b) ( oppose) \<\<fire/disease\>\> combatir; \<\<measure/proposal\>\> combatir, oponerse* awe'll fight them all the way — no les vamos a dar cuartel
2)a) ( conduct)b) ( contest) \<\<election\>\> presentarse awe intend to fight the case — ( Law) pensamos llevar el caso a los tribunales (or defendernos etc)
•Phrasal Verbs:- fight on
II
1) ca) ( between persons) pelea f; (between armies, companies) lucha f, contienda fto put up a good fight — ofrecer* or oponer* resistencia
they're looking for a fight — están buscando camorra or bronca
b) ( boxing match) pelea f, combate m2) ca) ( struggle) lucha fb) ( quarrel) pelea f3) u ( fighting spirit)[faɪt] (vb: pt, pp fought)1. Npick 2., 1)•
to have a fight with sb — pelearse con algn, tener una pelea con algnb) (Boxing) combate m, pelea f2) (Mil) (between armies) lucha f, contienda fthe fight for justice/against inflation — la lucha por la justicia/contra la inflación
•
if he tries to sack me he'll have a fight on his hands — si intenta despedirme le va a costar lo suyo4) (=fighting spirit) ánimo m de luchathere was no fight left in him — ya no le quedaba ánimo de lucha, ya no tenía ánimo para luchar
•
to show (some) fight — mostrarse dispuesto a pelear5) (=resistance)•
police believe the victim put up a fight — la policía cree que la víctima opuso resistencia2. VT1) (Mil) [+ enemy] luchar contra, combatir contra; (Boxing) [+ opponent] pelear contra, luchar contra•
to fight a battle — (Mil) librar una batalla; (fig) lucharI've had to fight quite a battle to get as far as this — he tenido que luchar mucho para llegar hasta aquí
•
to fight sb for sth, he fought the council for the right to build on his land — se enfrentó al ayuntamiento por el derecho a edificar en sus tierrasI'd like to fight him for the title — me gustaría luchar or pelear contra él por el título
•
to fight one's way through a crowd — abrirse paso a la fuerza entre una multitud2) (=combat) [+ fire] combatir; [+ poverty, inflation, crime] combatir, luchar contra; [+ proposal] oponerse a•
I've made up my mind so don't try and fight me on it — lo he decidido, así que no intentes oponerte•
I had to fight the urge to giggle — tuve que esforzarme para no reír, tuve que contener las ganas de reír3) (=try to win) [+ campaign] tomar parte en; [+ election] presentarse a•
he says he'll fight the case all the way to the Supreme Court — dice que si es necesario llevará el caso hasta el Tribunal Supremohe fought his case in various courts for ten years — defendió su causa en varios tribunales durante diez años
•
he's decided to fight the seat for a third time — (Pol) ha decidido presentarse por tercera vez como candidato para el escaño3. VI1) (=do battle) [troops, countries] luchar, combatir ( against contra); [person, animal] pelear; (Boxing) luchar, peleardid you fight in the war? — ¿luchó usted en la guerra?, ¿tomó usted parte en la guerra?
•
I fought for my country — luché por mi país•
the dogs were fighting over a bone — los perros estaban peleando por un hueso2) (=quarrel) discutir, pelear(se) ( with con)•
they usually fight about or over who pays the bills — suelen discutir or pelear(se) por quién paga las facturas•
to fight against disease/crime — luchar contra la enfermedad/el crimen•
to fight for sth/sb — luchar por algo/algnhe was fighting for breath — le faltaba la respiración, respiraba con enorme dificultad
- go down fighting- fight shy of- fight on* * *
I
1. [faɪt](past & past p fought) intransitive verba) \<\<army/country\>\> luchar, combatir; \<\<person\>\> pelear, luchar; \<\<animal\>\> lucharto fight AGAINST somebody/something — luchar contra alguien/algo
to fight FOR somebody/something — \<\<for country/cause\>\> luchar por alguien/algo; \<\<for aim/policy\>\> luchar por conseguir or lograr algo
to fight shy of something: he tends to fight shy of emotional commitments — tiende a eludir or evitar los compromisos afectivos
b) ( quarrel)to fight OVER/ABOUT something — pelearse por algo
c) fighting pres p <troops/units> de combate
2.
vt1)a) \<\<army/country\>\> luchar or combatir contraif you want it, you'll have to fight me for it — si lo quieres vas a tener que vértelas conmigo
Frazier fought Ali for the world title — Frazier peleó contra Ali or se enfrentó a Ali por el título mundial
I had to fight my way into the hall — tuve que abrirme camino or paso a la fuerza para entrar en la sala
b) ( oppose) \<\<fire/disease\>\> combatir; \<\<measure/proposal\>\> combatir, oponerse* awe'll fight them all the way — no les vamos a dar cuartel
2)a) ( conduct)b) ( contest) \<\<election\>\> presentarse awe intend to fight the case — ( Law) pensamos llevar el caso a los tribunales (or defendernos etc)
•Phrasal Verbs:- fight on
II
1) ca) ( between persons) pelea f; (between armies, companies) lucha f, contienda fto put up a good fight — ofrecer* or oponer* resistencia
they're looking for a fight — están buscando camorra or bronca
b) ( boxing match) pelea f, combate m2) ca) ( struggle) lucha fb) ( quarrel) pelea f3) u ( fighting spirit) -
10 feel
1. Iusually in the negative or interrogative a robot cannot feel робот ничего не чувствует; can animals feel ? обладают ли животные какими-л. чувствами?2. IIfeel in some manner feel deeply (instinctively, profoundly, genuinely, etc.) глубоко и т. д. чувствовать; feel at home чувствовать себя как дома /запросто, свободно/; feel at ease чувствовать себя свободно; I feel ill at ease in her presence в ее присутствии я чувствую себя неловко /скованно/3. IIIfeel smth.1) feel hunger (thirst, etc.) ощущать голод и т. д.; feel pain (a toothache, a sore throat, etc.) чувствовать /испытывать/ боль и т. д; feel the force of the wind (the cool breeze, a blow, etc.) почувствовать силу ветра и т. д. feel sorrow (anger, fear, pity, compunction, a sting of conscience, doubt, joy, delight, pleasure, want, etc.) испытывать горе и т. д.; feel smb.'s authority (smb.'s anger, one's own power, one's strength, one's disgrace, the effects of the accident, the need for a little exercise, the necessity of smth., the justice of his words, etc.) (почувствовать чей-л. авторитет и т. д.; did you feel the earthquake? вы почувствовали подземные толчки?2) feel music (poetry, the beauty of his poems, the force of an argument, etc.) хорошо понимать /чувствовать/ музыку и т. д.; feel a friend's death глубоко переживать смерть друга3) feel the child's forehead (the edge of a knife, this piece of silk, this cloth, etc.) (по)щупать ребенку лоб и т. д.; feel smb.'s pulse посчитать у кого-л. пульс; the blind recognize objects by feeling them слепые узнают предметы на ощупь; feel one's legs (one's hands, one's head, etc.) ощупать свой ноги и т. д.; feel one's way идти ощупью; just feel the weight of this! ты только попробуй, сколько это весит!4. IV1) feel smth. in some manner he doesn't feel the heat at all он совсем не страдает от жары; infants feel the cold very much маленькие дети очень чувствительны к холоду; feel smth. at some time he felt the full effect of the medicine much later действие /эффект от/ лекарства он ощутил значительно позже2) feel smth. in some manner feel one's misfortune keenly (her failure painfully, his loss severely, etc.) остро чувствовать /переживать/ свое несчастье и т. д; feel nothing intensely принимать все спокойно, ничего не принимать близко к сердцу; feel acutely the difficulty (the need of smth., the necessity of smth., etc.) остро осознавать /отчетливо понимать/ [возникшие] трудности и т. д.3) feel smth. in some manner feel one's head (one's legs, one's face, etc.) carefully (lightly, etc.) осторожно и т. д. ощупывать голову и т. д.5. V|| feel it one's duty to do smth. считать своим долгом что-л. сделать; feel it one's duty to speak frankly to him (to tell them all about it, to help her, to do so, etc.) считать своим долгом поговорить с ним откровенно и т. д.6. VIfeel smth., as having some quality feel it necessary (important, relevant, wise, etc.) to interfere (to tell them about it, to warn them, etc.) считать необходимым и т. д. вмешаться и т. д.7. VII1) feel smth., smb. do smth. feel the earth shake (the knife touch my skin, her arms clasp round me, smb. move in the kitchen, him stir, etc.) (по-) чувствовать, что /как/ земля задрожала и т. д., she felt her feet to be stone-cold она почувствовала, что у нее ноги холодные как лед2) feel smb., smth. to do smth. he felt himself to see that nothing was broken он ощупал себя, чтобы убедиться, что ничего не сломал; she felt the wall to find the switch она шарила по стене, чтобы нащупать выключатель8. VIIIfeel smb., smth. dome smth. feel her trembling.(smth. crawling on my back, someone moving in the dark, himself falling, his hopes fading away, etc.) (по)чувствовать, что /как/ она дрожит и т. д.; feel winter coming предчувствовать наступление зимы; he felt an awful cad doing it делая это, он чувствовал себя подлецом9. Xfeel in some state feel hurt (a good deal embarrassed, very much moved, convinced, etc.) (почувствовать себя обиженным и т. д., обидеться и т. д.', feel relieved (grieved, assured, alarmed, frightened, depressed, etc.) почувствовать облегчение и т. д.; feel disposed to smb. чувствовать расположение к кому-л.; feel inclined to do smth. быть склонным сделать что-л.; the house is so large that one feels lost within it дом так велик, что в нем чувствуешь себя потерянным10. XI1) be felt in some manner the scarcity of public libraries is keenly felt остро ощущается недостаток публичных библиотек; the storm was felt severely on the coast последствия шторма тяжело сказались на всем побережье2) be felt to be in some state it was felt to be unwise (important, significant, etc.) считали, что это неразумно и т. д.11. XIII|| feel at liberty /free/ to do smth. быть вправе что-л. делать; I don't feel at liberty to tell you about it (to mention his name, to disclose his whereabouts, etc.) я не считаю себя вправе рассказать зам об этом и т. д.; I felt free to leave (to stay, etc.) я считал, что могу уйти и т. д.; feel in a position to do smth. считать себя в состоянии что-л. сделать; feel in a position to help (to lend smb. money, to speak to smb., etc.) считать, что в состоянии помочь и т. д.;12. XV1) feel young (ten years younger, old, free, pretty well, ill, foolish, mean, cheap, etc.) чувствовать себя молодым и т. д.; feel envious (anxious, nervous, etc.) завидовать /испытывать зависть/ и т. д.; I feel uneasy about him я о нем беспокоюсь; I feel cold (warm, hot, comfortable, sad, queer, lonely, etc.) мне холодно и т. д., I feel hungry (weary, angry, grateful, happy, ill, etc.) я голоден и т. д., feel proud of smth., smb. гордиться чем-л., кем-л.; feel indebted to him чувствовать себя обязанным ему; he is beginning to feel tipsy он начинает пьянеть; he feels sleepy его клонит ко сну; I feel sorry мне очень жаль; tow are you today? feel Feeling fine, thanks как вы себя чувствуете сегодня? feel Прекрасно, спасибо; my head feels funny feel may I lie down? у меня что-то с головой-можно я прилягу?; my foot feels better с ногой у меня стало лучше; do you know how it feels to lose an old friend вы знаете, что значит потерять старого друга?; he knows how it feels to be hungry (to be rich, to be poor, etc.) он знает, что такое быть голодным и т. д.2) feel ил possessing some quality the air feels cold /chilly/ в воздухе прохладно; the room feels hot (damp, etc.) в комнате жарко и т. д.; how cold your hand feels какая у вас холодная рука; the chair feels comfortable стул удобный; velvet (silk, this cloth, etc.) feels soft (smooth, rough, etc.) бархат мягкий и т. д. на ощупь; the load felt heavy to me груз показался мне тяжелым13. XVI1) feel for smb. feel for her (for all mankind, deeply for all who suffer, etc.) сочувствовать ей и т. д.; I really feel for him in his sorrow я искренне разделяю его горе; feel toward (s) /about/ smb., smth. feel kindly (sweetly, affectionately, maternally, etc.) towards smb. хорошо и т. д. относиться к кому-л.: I know how you feel toward him я знаю, как вы к нему относитесь; how do you feel about this? как sill к атому относитесь?; feel strongly about smb., smth. испытывать чувство неприязни к кому-л., чему-л.; I feel very strongly about women smoking я решительно против того, чтобы женщины курили; feel badly about smb., smth. плохо относиться к кому-л., чему-л.2) feel for /after/ smth. /in some place/ feel for one's purse (for a coin in one's pockets, after the handle, for a box of matches, for a weapon, for a knife, etc.) ощупью искать кошелек в кармане и т. д.; feel in (under, along, etc.) smth. feel in one's pockets (in her purse, in her handbag, in a drawer, etc.) рыться в карманах и т. д.; feel under tile chair with one's hand (with one's foot) шарить рукой (ногой) под стулом; he felt along the wall until he found the door он пробирался ощупью вдоль стены, пока не нащупал дверь14. XVIIIfeel oneself in some state feel oneself touched почувствовать себя растроганным; feel oneself slighted считать серя ущемленным; he felt himself called upon to help он считал, это обязан помочь; I don't feel quite myself this morning мне сегодня немножко не по себе; I feel quite myself again я снова чувствую себя хорошо, я опять в форме15. XIX11) feel like smth. feel like a cup of tea (like a glass of beer, like a drink, like a meal, like a movie, like a sail, etc.) быть не прочь выпить чашку чая и т. д, не возражать против чашки чая и т. д.; I don't feel like a walk just now мне сейчас не хочется идти гулять2) feel like smb. feel like a fool (like a cad, like a Midas, like oneself, etc.) чувствовать себя дураком и т. д., she hasn't been feeling like herself since the accident после катастрофы она никак не придет в себя; how does it feel like to be at home? ну как вам дома?, ну как вы себя чувствуете дома?3) feel like smth. this feels like wood (like glass, like wool, etc.) на ощупь это похоже на дерево и т. д.; her hands feel like velvet у нее руки мягкие как бархат; what does it feel like? на что это похоже (на ощупь)? ХIХ3 feel like doing smth. I feel like being alone (like singing, like crying like eating, like sleeping, etc.) мне хочется побыть одному и т. д.; do you feel like taking a walk? хотите прогуляться?; he doesn't feel like going out tonight ему сегодня не хочется выходить из дому; I don't feel like laughing мне [совсем] не смешно16. XXI11) feel smth. in smth. I feel a pain in my ear (in my leg, in the back, etc.) у меня болит ухо и т. д.; feel an interest in /towards/ smb., smth. интересоваться кем-л., чем-л.; feel smth. for smb. feel great friendship for smb. быть дружески расположенным к кому-л.; feel much pity for smb. жалеть кого-л., испытывать жалость к кому-л.; feel smth. at smth. I felt no joy at his return я не испытывал никакой радости по поводу его возвращения, я совершенно не радовался его возвращению2) feel one's may around (across, along, etc.) smth. feel one's way around the room (along the wall, across the hall, etc.) двигаться по комнате и т. д. ощупью; feel one's way with smth. feel one's way with a stick (with one's foot) нащупывать дорогу палкой (ногой)17. XXV1) feel that... (what..., as if..., etc.) he felt that he was cold (that you were right, that we should win, etc.) он чувствовал, что ему холодно и т. д.you shall feel what it is to be in my bad books ты еще почувствуешь, что значит потерять мое расположение; feel that it will be a clever move I that such a plan will he unwise, that I ought to say no more at present, that he has told the truth, hat this is not the right time to act, etc.) полагать считать/, что это будет умный ход и т. д., felt that there was going to be a disaster чувствовал, что разразится катастрофа; I feel as if my head were bursting (as if I had lost a father, as if I'm catching cold, etc.) у меня такое чувство, как будто у меня раскалывается голова и т. д., it feels as if it's going to be a nice day today сегодня, кажется, будет хороший день2) feel whether... if... / (how...) feel whether the water is warm enough пощупай /попробуй/, достаточно ли теплая вода; feel if there are any bones broken проверьте, не сломаны ли какие-нибудь кости; feel how sharp the edge of this knife is (how cold lay hands are, how fast his pulse is, etc.) пощупайте, какой острый нож и т. д. -
11 body
1. n тело; плоть2. n туловище3. n ствол; стебель4. n рел. тело господнеstreamlined body — кузов обтекаемой формы; обтекаемое тело
5. n труп, телоteardrop body — кузов обтекаемой формы; обтекаемое тело
6. n разг. диал. человек7. n главная, основная частьbody of the hall — часть зала, отведённая для делегатов
8. n архит. главный корабль, неф церкви9. n предмет10. n спец. тело, веществоbroad axis of the body — поперечная, плечевая ось тела
11. n консистенция12. n кроющая способность13. n крепость14. n кузов15. n остов16. n тех. станина17. n ствольная коробка18. n стакан, корпус19. n лиф20. n полигр. ножка литеры21. n уст. реторта, перегонный куб22. v придавать форму23. v изображать; воплощать; типизироватьСинонимический ряд:1. amount (noun) aggregate; amount; budget; bulk; corpus; quantity; quantum; total2. assembly (noun) assembly; confederation; organization3. association (noun) association; band; clique; collection; company; corporation; society; troop4. central idea (noun) argument; central idea; consistency; density; essential part; fullness; text; thesis; thickness5. corpse (noun) cadaver; carcass; carrion; corpse; mort; remains; stiff6. force (noun) corps; crew; detachment; force; team; unit7. group (noun) array; assemblage; batch; battery; bunch; bundle; clot; clump; cluster; clutch; congregation; congress; convocation; crowd; gathering; group; lot; meeting; muster; parcel; passel; platoon; set; sort; suite8. human (noun) being; character; creature; human; human being; individual; life; man; mortal; party; person; personage; somebody; soul; wight9. main part (noun) core; hull; main part; majority; mass; object; staple; volume10. set (noun) array; batch; bundle; clump; cluster; clutch; knot; lot; set11. substance (noun) burden; crux; gist; kernel; matter; meat; nub; nubbin; pith; purport; sense; short; strength; substance; sum and substance; sum total; thrust; upshot12. trunk (noun) bones; build; flesh; form; frame; physique; size; torso; trunkАнтонимический ряд: -
12 Taylor, Ray
1888-1952Actor y empresario teatral antes de la Primera Gue rra Mundial, despues se convierte en ayudante de direccion para Fox, trabajando con John Ford. En los anos 20 pasa a Universal, donde empieza a dirigir primero cortometrajes y despues peliculas de serie B, sobre todo thrillers y seriales diversos. En el sonoro, al que se adapta aceptablemente, trabaja con intensidad. Es, sin duda, uno de los realizadores mas prolificos del genero; mas de 80 westerns avalan su trayectoria, ni mas ni menos destacada que la de otros muchos, aunque no le falta buen pulso narrativo las mas de las veces. Trabaja, inevitablemente, con actores populares, y tambien prolificos, de los anos 30 y, en menor medida, 40. Peliculas de una hora de duracion, aproximadamente, con argumentos poco elaborados, y algun serial, dirigido en solitario a comienzos del sonoro, y ya en colaboracion unos diez anos despues, constituyen la inmensa mayoria de una filmografia inabarcable.The One Way Trail (La senda de la venganza). 1931. 60 minutos. Blanco y Negro. Columbia. Tim McCoy, Doris Hill, Polly Ann Young, Carroll Nye.Battling with Buffalo Bill. 1931. 217 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Lucille Browne, Rex Bell, William Desmond.Heroes of the West. 1932. 210 minutos. 12 capitulos. Blanco y Negro. Universal. Noah Beery, Jr., Julie Bishop, William Desmond, Onslow Stevens.Clancy of the Mounted. 1933. 225 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Jacqueline Wells, William Desmond.Gordon of Ghost City. 1933. 220 minutos. 12 capitulos. Blanco y Negro. Universal. Buck Jones, Madge Bellamy, Walter Miller.The Fighting Trooper. 1934. 61 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Barbara Worth, LeRoy Mason.Outlawed Guns. 1935. 62 minutos. Blanco y Negro. Universal. Buck Jones, Ruth Channing, Roy D’Arcy, Joan Gale.The Roaring West. 1935. 255 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller, Frank McGlynn.The Throwback (El hijo del cuatrero). 1935. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.The Ivory-Handled Gun (Exterminio). 1935. 58 minutos. Blanco y Negro. Universal. Buck Jones, Charlotte Wynters, Walter Miller.Sunset of Power (El ocaso del poder). 1936. 66 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Dix, Charles B. Middleton.Silver Spurs (El desfiladero perdido). 1936. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.The Cowboy and the Kid (El vaquero y el huerfano). 1936. 58 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Revier, Billy Burrud.The Phantom Rider. 1936. 258 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Marla Shelton, Diana Gibson, Harry Woods.The Three Mesquiteers. 1936. 61 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Syd Saylor, Kay Hugues.The Vigilantes Are Coming (co-d.: Mack V. Wright). 1936. 229 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Livingston, Kay Hugues, Guinn Williams, Raymond Hatton.The Painted Stallion (co-d.: Alan James, William Witney). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.Drums of Destiny. 1937. 62 minutos. Blanco y Negro. Crescent. Tom Keene, Edna Lawrence, Robert Fiske.Raw Timber. 1937. 63 minutos. Blanco y Negro. Crescent. Tom Keene, Peggy Keys, Robert Fiske.The Mystery of the Hooded Horsemen (Jinetes enmascarados). 1937. 60 minutos. Blanco y Negro. Grand National. Tex Ritter, Irish Meredith, Horace Murphy.Sudden Bill Dorn. 1937. 60 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Evelyn Brent.Boss of Lonely Valley. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller.Tex Ritter with the Boy Scouts. 1938. 57 minutos. Blanco y Negro. Grand National. Tex Ritter, Marjorie Reynolds, Snub Pollard.Hawaiian Buckaroo (La ultima emboscada). 1938. 62 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evalyn Knapp, Benny Burt, Pat O’Brien.The Painted Stallion (co-d.: Alan James, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.Frontier Town. 1938. 59 minutos. Blanco y Negro. Grand National. Tex Ritter, Ann Evers, Snub Pollard.Rawhide. 1938. 58 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Lou Gehrig, Evalyn Knapp.Flaming Frontiers (co-d.: Alan James). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.Panamint’s Bad Man (Jugandose la vida). 1938. 60 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evelyn Daw, Noah Beery.Riders of Pasco Basin. 1940. 56 minutos. Blanco y Negro. Universal. John ny Mack Brown, Frances Robinson, Bob Baker, Fuzzy Knight.West of Carson City. 1940. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Peggy Moran, Bob Baker, Fuzzy Knight.Bad Man from Red Butte. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Anne Gwynne, Bob Baker, Fuzzy Knight.Winners of the West (co-d.: Ford Beebe). 1940. 247 minutos. 13 capitulos. Blanco y Negro. Universal. Dick Foran, Anne Nagel.Ragtime Cowboy Joe. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Lynn Merrick, Fuzzy Knight.Law and Order. 1940. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Fuzzy Knight.Pony Post. 1940. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Dorothy Short, Fuzzy Knight.Boss of Bullion City. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Maria Montez, Fuzzy Knight.Bury Me Not on the Lone Prairie. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.Law of the Range. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Elaine Morley, Fuzzy Knight.Riders of Death Valley (Los jinetes de la muerte) (co-d.: Ford Beebe). 1941. 283 minutos. 15 capitulos. Blanco y Negro. Universal. Dick Foran, Leo Carrillo, Jeannie Kelly.Rawhide Rangers. 1941. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.Man from Montana. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.Fighting Bill Fargo. 1941. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.Stagecoach Buckaroo. 1942. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Anne Nagel, Fuzzy Knight.Cheyenne Roundup. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.The Lone Star Trail. 1943. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.Boss of Boomtown. 1944. 58 minutos. Blanco y Negro. Universal. Rod Cameron, Tom Tyler, Vivian Austin, Fuzzy Knight.Raiders of Ghost City (co-d.: Lewis D. Collins). 1944. 225 minutos. 13 capitulos. Blanco y negro. Universal. Dennis Moore, Wanda McKay.The Royal Mounted Rides Again (co-d.: Lewis D. Collins). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.The Daltons Ride Again (Casta indomable). 1945. 70 minutos. Blanco y Negro. Universal. Alan Curtis, Kent Taylor, Martha O’Driscoll.The Scarlet Horseman (co-d.: Lewis D. Collins). 1946. 248 minutos. 13 capitulos. Blanco y negro. Universal. Peter Cookson, Janet Shaw.Wild Country. 1947. 55 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Peggy Wynne.Law of the Lash. 1947. 53 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary ScottRange Beyond the Blue. 1947. 53 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Helen Mowery.The Michigan Kid (El chico de Michigan/Ninguno como el). 1947. 69 minutos. Cinecolor. Universal. Jon Hall, Rita Johnson, Victor McLaglen.West to Glory. 1947. 56 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Dolores Castle.Border Feud. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Gloria Marlen.Pioneer Justice. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.Ghost Town Renegades. 1947. 58 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.The Vigilantes Return. 1947. 67 minutos. Cinecolor. Universal. Jon Hall, Margaret Lindsay, Paula Drew.Stage to Mesa City. 1947. 56 min. B y N. PRC. Lash LaRue, Al St. John.Black Hills. 1947. 60 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.Return of the Lash. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Maynard.The Fighting Vigilantes. 1947. 61 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.Shadow Valley. 1947. 59 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.Cheyenne Takes Over. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Nancy Gates.Check Your Guns. 1948. 55 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Nancy Gates.Tornado Range. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.The Westward Trail. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Phyllis Planchard.The Hawk of Powder River. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.The Tioga Kid. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.Range Justice. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Felice Ingersall, Max Terhune.The Return of Wildfire (Tierra de heroes). 1948. 83 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Patricia Morison, Mary Beth Hugues.Dead Man’s Gold. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.Mark of the Lash. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Suzi Crandall.Gunning for Justice. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Evelyn Finley, Max Terhune, Raymond Hatton.Hidden Danger. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Christine Larsen, Max Terhune, Raymond Hatton.Frontier Revenge. 1948. 56 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.Outlaw Country. 1949. 66 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Nancy Saunders.Crashing Thru. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Christine Larsen, Andy Clyde.Shadows of the West. 1949. 59 minutos. Blanco y Negro. Monogram. Whip Wilson, Reno Browne, Andy Clyde.Law of the West. 1949. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Gerry Patterson, Max Terhune.Son of Billy the Kid. 1949. 65 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Marion Colby.Son of a Badman. 1949. 64 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Noel Neill.West of El Dorado. 1949. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Max Terhune. -
13 Collins, Lewis D.
1899-1954Entre 1927 y 1954, ano de su prematura muerte debida a un ataque cardiaco, realiza un total aproximado de 120 peliculas, de las que unas veinte son cortometrajes. Se dedica, especialmente, al western, sobre todo para Universal y Monogram. Es un director modesto, sin estilo visible que, como tantos otros, trabaja para las sucesivas estrellas de la epoca.Guns for Hire. 1932. 58 minutos. Blanco y Negro. Willis Kent. Lane Chandler, Sally Darling.Via Pony Express. 1933. 60 minutos. Blanco y Negro. Majestic. Jack Hoxie, Marceline Day.Gun Law. 1933. 59 min. Blanco y Negro. Majestic. Jack Hoxie, Paula Fix.Trouble Busters. 1933. 55 minutos. Blanco y Negro. Majestic. Jack Hoxie, Lane Chandler, Kaye Edwards.The Man from Hell. 1934. 58 minutos. Blanco y Negro. Willis Kent. Reb Russell, Fred Kohler, Ann Darcy.Brand of Hate. 1934. 63 minutos. Blanco y Negro. Supreme. Bob Steele, William Farnum, Lucille Browne.The Desert Trail. 1935. 54 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Mary Kornman.Little Joe, the Wrangler. 1942. 64 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Tenting Tonight on the Old Camp Ground. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Raiders of San Joaquin. 1943. 60 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Oklahoma Raiders. 1944. 57 minutos. Blanco y Negro. Universal. Tex Ritter, Fuzzy Knight, Jennifer Holt.Trigger Trail. 1944. 59 minutos. Blanco y Negro. Universal. Rod Cameron, Eddie Dew, Fuzzy Knight, Vivian Austin.Raiders of Ghost City (co-d.: Ray Taylor). 1944. 225 minutos. 13 capitulos. Blanco y Negro. Universal. Dennis Moore, Wanda McKay, Lionel Atwill.The Old Texas Trail. 1944. 60 minutos. Blanco y Negro. Universal. Rod Cameron, Fuzzy Knight, Marjorie Clements.The Royal Mounted Rides Again (co-d.: Ray Taylor). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.The Scarlet Horseman (co-d.: Ray Taylor). 1946. 248 minutos. 13 capitulos. Blanco y Negro. Universal. Peter Cookson, Janet Shaw.Ride, Ryder, Ride! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Emmett Lynn.Roll, Thunder, Roll! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, I. Stanford Jolley, Don Kay Reynolds, Nancy Gates.The Fighting Redhead. 1949. 55 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Don Kay Reynolds.Cowboy and the Prizefighter. 1949. 59 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Emmett Lynn, Don Kay Reynolds, Karen Randle.Law of the Panhandle. 1950. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Jane Adams, Milburn Morante.Cherokee Uprising. 1950. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Lois Hall.Colorado Ambush. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Myron Healey.Abilene Trail. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Noel Neill.Man from Sonora. 1951. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, House Peters, Jr.Canyon Raiders. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Nevada Badmen. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Stagecoach Driver. 1951. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Gloria Winters.Oklahoma Justice. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Jimmy Ellison.Lawless Cowboys. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Pamela Duncan.The Longhorn. 1951. 70 minutos. Blanco y Negro. Monogram. Bill Elliot, Phyllis Coates, Myron Healey.Texas Lawmen. 1951. 54 minutos. Blanco y Negro. Frontier Pictures - /Monogram. Johnny Mack Brown, Jimmy Ellison, Lee Roberts.Stage to Blue River. 1951. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Texas City (Misterio en Texas). 1952. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Jimmy Ellison.Waco. 1952. 68 minutos. Blanco y Negro. Monogram. Bill Elliott, Pamela Blake, I. Stanford Jolley.The Gunman. 1952. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Wild Stallion. 1952. 70 minutos. Cinecolor. Monogram. Ben Johnson, Edgar Buchanan, Martha Hyer.Kansas Territory. 1952. 65 minutos. Blanco y Negro. Monogram. Bill Elliott, Peggy Stewart, Fuzzy Knight.Dead Man’s Trail. 1952. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Barbara Allen, Jimmy Ellison.Montana Incident. 1952. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Peggy Stewart, Noel Neill.Fargo (Los atracadores de Fargo). 1952. 69 minutos. Blanco y Negro. Monogram. Bill Elliott, Phyllis Coates, Fuzzy Knight.Canyon Ambush. 1952. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Lee Roberts.The Homesteaders. 1953. 62 minutos. Blanco y Negro. Allied. Bill Elliott, Emmett Lynn, Robert Lowery.The Marksman. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elena Verdugo, Frank Ferguson.Vigilante Terror. 1953. 70 minutos. Blanco y Negro. Allied. Bill Elliott, Fuzzy Knight, Mary Ellen Kay.Texas Bad Man. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elaine Riley, Frank Ferguson.Two Guns and a Badge (Dos pistolas y una insignia). 1954. 60 minutos. Blanco y Negro. Allied. Wayne Morris, Beverly Garland, Morris Ankrum.English-Spanish dictionary of western films > Collins, Lewis D.
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14 Selander, Lesley
1900-1979Sus origenes en el cine se situan dentro de la tarea de operador de camara y, despues, ayudante de direccion. Su carrera como director comienza realmente en 1936. Lesley Selander es uno de los grandes especialistas del western, con mas de cien peliculas a sus espaldas. Decir “uno de los grandes especialistas” no es lo mismo que decir “uno de los grandes nombres” y, en efecto, la trayectoria de Selander, en lo que a la calidad de sus peliculas se refiere, es irregular. Lo que, sin embargo, sorprende es que la valoracion media de sus westerns no es baja, lo que indica que el director poseia un especial instinto para el genero, que pone de manifiesto con una plastica mas que correcta y un buen manejo del tiempo de la narracion. Inabarcable por su extension, es dificil senalar los filmes que destacan en tan amplia muestra, pero si me veo en la obligacion de citar alguno, no dudaria en elegir las peliculas que hizo para Allied Artists a finales de los anos 40 y principios de los 50, y algunas otras de las ultimas que realizo, como Dakota Lil o The Broken Star.Ride’ Em Cowboy. 1936. 59 minutos. Blanco y Negro. Universal. Buck Jo nes, Luana Walters.The Boss Rider of Gun Creek. 1936. 65 minutos. Blanco y Negro. Univ er sal. Buck Jones, Muriel Evans.Empty Saddles. 1936. 67 minutos. Blanco y Negro. Universal. Buck Jones, Louise Brooks, Claire Rochelle.Sandflow. 1937. 58 minutos. Blanco y Negro. Universal. Buck Jones, Lita Chevret.Left Handed Law. 1937. 63 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Nina Quartero.Smoke Tree Range. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans.Hopalong Rides Again. 1937. 65 minutos. Blanco y Negro. Paramount. William Boyd, Lois Wilde, Russell Hayden, George Hayes.The Barrier. 1937. 90 minutos. Blanco y Negro. Paramount. Leo Carrillo, Jean Parker, James Ellison.Partners of the Plains. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, Harvey Clark.Cassidy on Bar 20. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Nora Lane, Russell Hayden, Frank Darien.Heart of Arizona. 1938. 68 minutos. Blanco y Negro. Paramount. William Boyd, Natalie Moorhead, Russell Hayden, George Hayes.Bar 20 Justice. 1938. 70 minutos. Blanco y Negro. Paramount. William Boyd, Gwen Gaze, Russell Hayden, George Hayes.Pride of the West. 1938. 56 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Field, Russell Hayden, George Hayes.The Mysterious Rider. 1938. 74 minutos. Blanco y Negro. Paramount. Douglas Drumbrille, Russell Hayden, Charlotte Field.The Frontiersman. 1938. 74 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Venable, Russell Hayden, George Hayes.Sunset Trail. 1939. 60 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Jane Clayton, Russell Hayden, George Hayes.Heritage of the Desert. 1939. 74 minutos. Blanco y Negro. Paramount. Donald Woods, Russell Hayden, Evelyn Venable, Robert Barrat.Silver on the Sage (De cara a cara). 1939. 68 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, George Hayes.The Renegade Trail. 1939. 61 minutos. Blanco y Negro. Paramount. William Boyd, Charlotte Wynters, Russell Hayden, George Hayes.Range War. 1939. 66 minutos. Blanco y Negro. Paramount. William Boyd, Betty Moran, Russell Hayden, Britt Wood.Santa Fe Marshal. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Bernadine Hayes, Russell Hayden, Britt Wood.Knights of the Range. 1940. 68 minutos. Blanco y Negro. Paramount. Russell Hayden, Jean Parker, Victor Jory.The Light of Western Stars. 1940. 67 minutos. Blanco y Negro. Para mount. Russell Hayden, Victor Jory, Jo Ann Sayers.Hidden Gold. 1940. 61 minutos. Blanco y Negro. Paramount. William Boyd, Ruth Rogers, Russell Hayden, Britt Wood.Stagecoach War. 1940. 63 minutos. Blanco y Negro. Paramount. William Boyd, Julie Carter, Russell Hayden, Eddy Waller.Cherokee Strip. 1940. 86 minutos. Blanco y Negro. Paramount. Richard Dix, Florence Rice, Victor Jory, Andy Clyde.Three Men from Texas (Hombres del Oeste). 1940. 70 minutos. Blanco y Negro. Paramount. William Boyd, Esther Estrella, Russell Hayden, Andy Clyde.Doomed Caravan. 1941. 62 minutos. Blanco y Negro. Paramount. William Boyd, Georgia Hawkins, Russell Hayden, Andy Clyde.The Roundup. 1941. 90 minutos. Blanco y Negro. Paramount. Richard Dix, Patricia Morison, Preston Foster.Pirates on Horseback. 1941. 69 minutos. Blanco y Negro. Paramount. Wi lliam Boyd, Eleanor Stewart, Russell Hayden, Andy Clyde.Wide Open Town (La ley del Oeste). 1941. 78 minutos. Blanco y Negro. Paramount. William Boyd, Evelyn Brent, Bernice Kay, Russell Hayden, Andy Clyde.Riders of the Timberline. 1941. 59 minutos. Blanco y Negro. Paramount. William Boyd, Eleanor Stewart, Brad King,Stick to Your Guns. 1941. 63 minutos. Blanco y Negro. Paramount. William Boyd, Jennifer Holt, Brad King, Andy Clyde.Thundering Hoofs. 1942. 61 minutos. Blanco y Negro. RKO. Tim Holt, Luana Walters, Lee White, Ray Whitley.Bandit Ranger. 1942. 58 minutos. Blanco y Negro. RKO. Tim Holt, Joan Barclay, Cliff Edwards.Undercover Man. 1942. 68 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Esther Estrella, Jay Kirby, Andy Clyde.Border Patrol. 1943. 66 minutos. Blanco y Negro. UA. William Boyd, Claudia Drake, Jay Kirby, Andy Clyde.Buckskin Frontier. 1943. 74 minutos. Blanco y Negro. UA. Richard Dix, Jane Wyatt, Lee J. Cobb, Albert Dekker.Colt Comrades. 1943. 67 minutos. Blanco y Negro. UA. William Boyd, Gayle Lord, Jay Kirby, Andy Clyde.Red River Robin Hood. 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Barbara Moffett, Cliff Edwards.Bar 20. 1943. 54 minutos. Blanco y Negro. UA. William Boyd, Dustine Farnum, George Reeves, Andy Clyde.Riders of the Deadline. 1943. 70 minutos. Blanco y Negro. UA. William Boyd, Frances Woodward, Jimmy Rogers, Andy Clyde.Lost Canyon. 1942. 61 minutos. Blanco y Negro. UA. William Boyd, Nora Lane, Jay Kirby, Andy Clyde.Lumberjack. 1944. 65 minutos. Blanco y Negro. UA. William Boyd, Ellen Hall, Jimmy Rogers, Andy Clyde.Forty Thieves. 1944. 60 minutos. Blanco y Negro. UA. William Boyd, Louise Currie, Jimmy Rogers, Andy Clyde.Call of the Rockies. 1944. 56 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Hall.Bordertown Trail. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Ellen Lowe.Stagecoach to Monterey. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Peggy Stewart, Roy Barcroft.Cheyenne Wildcat. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.Sheriff of Sundown. 1944. 55 minutos. Blanco y Negro. Republic. Allan Lane, Max Terhune, Linda Sterling.Firebrands of Arizona. 1944. 55 minutos. Blanco y Negro. Republic. Sunset Carson, Smiley Burnette, Peggy Stewart.Sheriff of Las Vegas. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, Bob Blake.The Great Stagecoach Robbery. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Trail of Kit Carson. 1945. 57 minutos. Blanco y Negro. Republic. Allan Lane, Helen Talbot.Phantom of the Plains. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Bob Blake.Out California Way. 1946. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, John Dehner, Bobby Blake.Last Frontier Uprising. 1947. 67 minutos. Trucolor. Republic. Monte Hale, Adrian Booth, Roy Barcroft.Saddle Pals. 1947. 72 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.Robin Hood of Texas. 1947. 71 minutos. Blanco y Negro. Republic. Gene Autry, Lynne Roberts, Sterling Holloway.The Red Stallion. 1947. 81 minutos. Cinecolor. Eagle Lion. Robert Paige, Noreen Nash.Belle Star’s Daughter. 1947. 85 minutos. Blanco y Negro. Alson (Fox). George Montgomery, Rod Cameron, Ruth Roman.Panhandle (Imperio del crimen). 1948. 85 minutos. Blanco y Negro. Allied. Rod Cameron, Cathy Downs, Reed Hadley, Anne Gwynne.Guns of Hate. 1948. 62 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin.Indian Agent. 1948. 63 minutos. Blanco y Negro. RKO. Tim Holt, Nan Leslie, Richard Martin, Lee “Lasses” White.Brothers in the Saddle. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Virginia Cox, Richard Martin.Rustlers. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Martha Hyer, Richard Martin.Stampede. 1949. 78 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Gale Storm.Masked Raiders. 1949. 60 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Lord, Richard Martin.The Mysterious Desperado. 1949. 61 minutos. Blanco y Negro. RKO. Tim Holt, Movita, Richard Martin.Dakota Lil. 1950. 88 minutos. Cinecolor. Fox. George Montgomery, Marie Windsor, Rod Cameron.Riders of the Range. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jacqueline White, Richard Martin.Storm Over Wyoming. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Betty Underwood, Richard Martin.Rider from Tucson. 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Elaine Riley, Veda Ann Borg, Richard Martin.Rio Grande Patrol (Patrulla de Rio Grande). 1950. 60 minutos. Blanco y Negro. RKO. Tim Holt, Jane Nigh, Richard Martin.The Kangaroo Kid. 1950. 72 minutos. Blanco y Negro. Allied Australian. Jock Mahoney, Veda Ann Borg, Douglass Dumbrille, Martha Hyer.Short Grass. 1950. 82 minutos. Blanco y Negro. Allied. Rod Cameron, Johnny Mack Brown, Cathy Downs.Law of the Badlands. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard MartinSaddle Legion. 1951. 61 minutos. Blanco y Negro. RKO. Tim Holt, Dorothy Malone, Richard Martin.Cavalry Scout. 1951. 78 minutos. Cinecolor. Monogram. Rod Cameron, Audrey Long, Jim Davis.Gunplay. 1951. 69 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Pistol Harvest. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.Overland Telegraph. 1951. 60 minutos. Blanco y Negro. RKO. Tim Holt, Gail Davis, Richard Martin.Fort Osage. 1952. 72 minutos. Cinecolor. Monogram. Rod Cameron, Jane Nigh.Trail Guide (Rastro oculto). 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Linda Douglas (Mary Jo Tarola), Richard Martin.Road Agent. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Noreen Nash, Richard Martin.Desert Passage. 1952. 60 minutos. Blanco y Negro. RKO. Tim Holt, Joan Dixon, Richard Martin.The Raiders. 1952. 80 minutos. Technicolor. Universal. Richard Conte, Viveca Lindfords, Richard Martin, Barbara Britton.Fort Vengeance (Fort Venganza). 1953. 75 minutos. Cinecolor. Allied. James Craig, Rita Moreno, Keith Larsen.Cow Country. 1953. 82 minutos. Blanco y Negro. Allied. Edmond O’Brien, Peggie Castle, Robert Barrat, Helen Westcott.War Paint. 1953. 89 minutos. Pathecolor. K-B Productions (UA). Robert Stack, Joan Taylor, Charles McGraw.Arrow in the Dust (Flechas incendiarias). 1954. 80 minutos. Technicolor. Allied. Sterling Hayden, Coleen Gray, Keith Larsen.The Yellow Tomahawk. 1954. 82 minutos. Color Corp. Of America. Bel-Air (UA). Rory Calhoun, Peggie Castle, Peter Graves.Shotgun (La pradera sangrienta). 1955. 81 minutos. Technicolor. Allied. Sterling Hayden, Yvonne De Carlo, Zachary Scott.Fort Yuma. 1955. 78 minutos. Technicolor. Bel-Air (UA). Peter Graves, Jean Vohs, John Hudson, Joan Taylor.Tall Man Riding. 1955. 83 minutos. Warnercolor. WB. Randolph Scott, Dorothy Malone, Robert Barrat, Peggie Castle.The Broken Star. 1956. 82 minutos. Blanco y Negro. Bel-Air (UA). Howard Duff, Lita Baron, Bill Williams.Quincannon - Frontier Scout. 1956. 83 minutos. Color DeLuxe. Bel-Air (UA). Tony Martin, Peggie Castle, John Bromfield.Tomahawk Trail. 1957. 60 minutos. Blanco y Negro. Bel-Air (UA). Chuck Connors, Susan Cummings, John Smith.Revolt at Fort Laramie. 1957. 73 minutos. Color DeLuxe. Bel-Air (UA). John Dehner, Gregg Palmer, Frances Helm.Outlaw’s Son. 1957. 87 minutos. Blanco y Negro. Bel-Air (UA). Dane Clark, Ben Cooper, Lori Nelson.The Lone Ranger and the Lost City of Gold. 1958. 80 minutos. East man color. UA. Clayton Moore, Jay Silverheels, Noreen Nash.Convict Stage. 1965. 71 minutos. Blanco y Negro. Fox. Harry Lauter, Do nald Barry, Jodi Mitchell.War Party. 1965. 72 minutos. Blanco y Negro. Fox. Michael T. Mikler, Do nald Barry, Laurie Mack.Fort Courageous. 1965. 72 minutos. Blanco y Negro. Fox. Fred Beir, Do nald Barry, Hanna Landy.Town Tamer. 1965. 89 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). Dana Andrews, Terry Moore, Pat O’Brien, Coleen Gray.The Texican/Texas Kid (Texas Kid). 1966. 86 minutos. Eastmancolor. Techniscope. M.C.R./Balcazar (Columbia). Audie Murphy, Broderick Craw ford, Diana LorysFort Utah. 1967. 83 minutos. Technicolor. Techniscope. A.C. Lyles (Para mount). John Ireland, Virginia Mayo, Scott Brady.Arizona Bushwhackers. 1968. 86 minutos. Technicolor. Techniscope. A.C. Lyles (Paramount). Howard Keel, Yvonne De Carlo, John Ireland.English-Spanish dictionary of western films > Selander, Lesley
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15 CULTURE, LITERATURE, AND LANGUAGE
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New York: Columbia Univ. Press, 2002.■ Cunhal, Alvaro. A Revolução Portuguesa. Lisbon, 1975.■ Dias, Eduardo Mayone. Portugal's Secret Jews: The End of an Era. Rumford, R.I.: Peregrinação Publications, 1999.■ Downs, Charles. "Comissões de Moradores and Urban Struggles in Revolutionary Portugal." International Journal of Urban and Regional Research 4 (1986): 267-94.■. Revolution at the Grassroots: Community Organizations in the Portuguese Revolution. Albany: State University of New York Press, 1989.■ Dufour, Jean-Marc. Prague sur Tage. Paris, 1975.■ Durão Barroso, José. Le systémepolitiqueportugais face à l'intégration euro-péenne. Lisbon, 1983.■ Eisfeid, Rainer. "Portugal: What Role/What Future?" In K. Maxwell, ed., Portugal Ten Years after the Revolution. New York: RIIC, Columbia University, 1984.■. Sozialistischer Pluralismus in Europa: Ansãtze und Scheitern am Beispiel Portugal. Cologne: Verlag Wissenchaft ünd Politik, 1985.■. "Portugal and Western Europe." In K. Maxwell, ed., Portugal in the 1980s, 29-62. Westport, Conn.: Greenwood, 1986.■ Farinha, Luis. "Regresso a Europa. Uma opcao feliz." Historia. XXIX; 95, III series (March 2007), 23-33.■ Faye, Jean-Pierre, ed. Portugal: The Revolution in the Labyrinth. Nottingham, U.K.: Spokesman, 1976. Ferreira, Hugo Gil, and Michael W. Marshall. Portugal's Revolution: Ten Years On. Cambridge: Cambridge University Press, 1986. Figueira, João Costa. Cavaco Silva: Homem de Estado. Lisbon, 1987. Filoche, Gérard. Printemps Portugais. Paris: Editions Action, 1984. Frémontier, Jacques. Os Pontos nos ii. Lisbon, 1976. Fundação Calouste Gulbenkian. 25 de Abril-10 anos depois. Lisbon, 1984. Futscher Pereira, Bernardo. "Portugal and Spain." In K. Maxwell, ed. Portugal in the 1980s, 63-87. Westport, Conn.: Greenwood, 1986.■ Gama, Jaime. Política Externa Portuguesa 1983-85: Ministério dos Negôcios Estrangeiros. Lisbon, 1986.■. "Preface." In J. Calvet de Magalhães, A. de Vasconcelos, and J. Ramos Silva, eds., Portugal: An Atlantic Paradox, 9-11. Lisbon, 1990. Gaspar, Jorge, and Nuno Vitorino. As Eleições De 25 De Abril: Geografia E Imagem Dos Partidos. Lisbon, 1976.■. "10 Anos de Democracia: Reflexos na geografia política." In E. de Sousa Ferreira and W. C. Opelio, Jr., eds., Conflict and Change in Portugal 1974-1984/ Conflitos e Mudanças em Portugal, 1974-1984, 135-55. Lisbon, 1985.■, et al. As Eleições para assembleia da república, 1979-1983: Estudos de geografia eleitoral. Lisbon, 1984. Gaspar, Jorge, and Nuno Vitorino, eds. Portugal em mapas e em números. Lisbon, 1981.■ Giaccone, Fausto. Una Storia Portoghese/ Uma História Portuguesa. Palermo: Randazzo Focus, 1987.■ Gladdish, Ken. "Portugal: An Open Verdict." In Geoffrey Pridham, ed. Securing Democracy: Political Parties and Democratic Consolidation in Southern Europe, 104-25. London and New York: Routledge, 1990.■ Graham, Lawrence S. The Decline and Collapse of an Authoritarian Order. Beverly Hills, Calif.: Sage, 1975.■, and Harry M. Makler, eds. Contemporary Portugal: The Revolution and Its Antecedents. Austin: University of Texas Press, 1979.■, and Douglas L. Wheeler, eds. In Search of Modern Portugal: The Revolution and Its Consequences. Madison: University of Wisconsin Press, 1983.■ Grayson, George W. "Portugal and the Armed Forces Movement." Orbis XIX, 2 (Summer 1975): 335-78.■ Green, Gil. Portugal's Revolution. New York: International, 1976.■ Hammond, John L. Building Popular Power: Workers' and Neighborhood Movements in the Portuguese Revolution. New York: Monthly Review Press, 1988.■ Harsgor, Michael. Naissance d'un Nouveau Portugal. Paris: Ed. du Seuil, 1975.■. Portugal in Revolution. Washington, D.C.: CSIS and Sage, 1976.■ Harvey, Robert. Portugal, Birth of a Democracy. London: Macmillan, 1978.■ Herr, Richard, ed. Portugal: The Long Road to Democracy and Europe. Berkeley, Calif.: International and Area Studies, 1992.■ Insight Team of the Sunday [London] Times. Insight on Portugal: The Year of the Captains. London: Deutsch, 1975.■ Janitschek, Hans. Mario Soares: Portrait of a Hero. London: Weidenfeld & Nicolson, 1985.■ Keefe, Eugene K., et al. Area Handbook for Portugal, 1st ed. Washington, D.C.: Foreign Area Studies of American University, 1977. Kramer, Jane. "A Reporter at Large: The Portuguese Revolution." The New Yorker (Dec. 15, 1975): 92-131.■ Lauré, Jason, and Ettagal Lauré. Jovem Portugal: After the Revolution. New York: Straus, Farrar and Giroux, 1977.■ Livermore, H. V. A New History of Portugal. Cambridge: Cambridge University Press, 1976.■ Lourenço, Eduardo. Os Militares e O Poder. Lisbon, 1975.■. O Fascismo Nunca Existiu. Lisbon, 1976.■. "Identidade e Memôria: o caso português." In E. de Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-l 984, 17-22. Lisbon, 1985.■ Lucena, Manuel. Evolução e Instituições: A Extinção dos Grémios da Lavoura Alentejanos. Mem Martins, 1984.■. "A herança de duas revoluções." In M. Baptista Coelho, ed., Portugal: O Sistema Político e Constitucional, 1974-87, 505-55. Lisbon, 1989.■ Macedo, Jorge Braga de, and S. Serfaty. Portugal since the Revolution: Economic and Political Perspectives. New York: Praeger, 1981.■ Magone, José M. European Portugal: The Difficult Road to Sustainable Democracy. New York: St. Martin's, 1997. Mailer, Phil. Portugal: The Impossible Revolution. London: Solidarity, 1977. Manta, João Abel. Cartoons/ 1969-1975. Lisbon, 1975.■ Manuel, Paul C. Uncertain Outcome: The Politics of Portugal's Transition to Democracy. Lanham, Md. and London: University Press of America, 1994.■ Mateus, Rui. Contos Proibidos. Memorias de Um PS Desconhecido, 3rd ed. Lisbon: Dom Quixote, 1996.■ Maxwell, Kenneth. "Portugal under Pressure." The New York Review of Books (May 2, 1974).■. "The Hidden Revolution in Portugal." The New York Review of Books (April 17, 1975).■. "The Thorns of the Portuguese Revolution." Foreign Affairs 54, 2 (Jan. 1976): 250-70.■. "The Communists and the Portuguese Revolution." Dissent 27, 2 (Spring 1980): 194-206.■. Portugal in the 1980s: Dilemmas of Democratic Consolidation. Westport, Conn.: Greenwood, 1986.■. The Making of Portuguese Democracy. Cambridge: Cambridge University Press, 1995.■, ed. "Portugal: Toward the Twenty-First Century." Camoes Center Quarterly 5, 3-4 (Fall 1995): 6-55.■, ed. The Press and the Rebirth of Iberian Democracy. Westport, Conn.: Greenwood, 1983.■. Portugal Ten Years after the Revolution: Reports of Three Columbia University-Gulbenkian Workshops. New York: Research Institute on International Change, Columbia University, 1984.■ Maxwell, Kenneth, and Michael H. Haltzel, eds. Portugal: Ancient Country, Young Democracy. Washington, D.C.: Wilson Center Press, 1990.■ Medeiros Ferreira, José. Ensaio Histórico sobre a revolução do 25 de Abril. Lisbon, 1983.■ Medina, João, ed. Portugal De Abril: Do 25 Aos Nossos Dias. In Medina, ed., História Contemporãnea De Portugal. Lisbon, 1985. Merten, Peter. Anarchismus ünd Arbeiterkãmpf in Portugal. Hamburg: Libertare, 1981.■ Miranda, Jorge. Constituição e Democracia. Lisbon, 1976.■. A Constituição de 1976. Lisbon, 1978.■ Morrison, Rodney J. Portugal: Revolutionary Change in an Open Economy. Boston: Auburn House, 1981.■ Mujal-Leôn, Eusebio. "The PCP [Portuguese Communist Party] and the Portuguese Revolution." Problems of Communism 26 (Jan.- Feb. 1977): 21-41.■ Neves, Mário. Missão em Moscovo. Lisbon, 1986.■ Oliveira, César. M. F. A. e Revolução Socialista. Lisbon, 1975.■. Os Anos Decisivos: Portugal 1962-1985. Um testemunho. Lisbon: Presença, 1993.■ Opello, Waiter C., Jr. Portugal's Political Development: A Comparative Approach. Boulder, Colo.: Westview, 1985.■. Portugal: From Monarchy to Pluralist Democracy. Boulder, Colo.: Westview, 1991.■ Pell, Senator Claiborne H. Portugal ( Including the Azores and Spain) in Search of New Directions: Report to the Committee on Foreign Relations, U.S. Senate. Washington, D.C.: Government Printing Office, 1976.■ Pereira, J. Pacheco. "A Case of Orthodoxy: The Communist Party of Portugal." In Waller and Fenema, eds., Communist Parties in Western Europe: Adaptation or Decline? Oxford: Basil Blackwell, 1988.■ Pilmott, Ben. "Socialism in Portugal: Was It a Revolution?" Government and Opposition 7 (Summer 1977).■. "Were the Soldiers Revolutionary? The Armed Forces Movement in Portugal, 1973-1976." Iberian Studies 7, 1 (1978): 13-21.■, and Jean Seaton. "Political Power and the Portuguese Media." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 43-57. Madison: University of Wisconsin Press, 1983.■ Porch, Douglas. The Portuguese Armed Forces and the Revolution. London: Croom Helm and Stanford, Calif.: Hoover Institution Press, 1977.■ Pouchin, Dominique. Portugal, quelle révolution? Paris, 1976.■ Pulido Valente, Vasco. "E Viva Otelo." In Pulido Valente, V., ed., O País das Maravilhas, 451-54. Lisbon, 1979 [anthology of articles from weekly Lisbon paper, Expresso].■. Estudos Sobre a Crise Nacional. Lisbon, 1980.■ Rebelo de Sousa, Marcelo. O Sistema de Governo Português antes e depois da Revisão Constitucional, 3rd ed. Lisbon, 1981. Rêgo, Raúl. Militares, Clérigos e Paisanos. Lisbon, 1981. Robinson, Richard A. H. Contemporary Portugal: A History. London: Allen & Unwin, 1979.■ Rodrigues, Avelino, Cesário Borga, and Mário Cardoso. O Movemento dos Capitães e o 25 de Abril. Lisbon, 1974.■. Portugal Depois De Abril. Lisbon, 1976.■ Ruas, H. B., ed. A Revolução das Flores. Lisbon, 1975.■ Rudel, Christian. La Liberte couleur d'oeillet. Paris: Fayard, 1980.■ Sa, Tiago Moreira de. Os Americanos na Revolucao Portuguesa ( 1974-1976). Lisbon: Edit. Noticias, 2004.■ Sá Carneiro, Francisco. Por Uma Social-Democracia Portuguesa. Lisbon, 1975.■ Sanches Osôrio, Helena. Um Só Rosto. Uma Só Fé. Conversas Com Adelino Da Palma Carlos. Lisbon, 1988. Sanches Osôrio, J. The Betrayal of the 25th of April in Portugal. Madrid: Sedmay, 1975.■ Schmitter, Philippe C. "Liberation by Golpe: Retrospective Thoughts on the Demise of Authoritarian Rule in Portugal." Armed Forces and Society 2 (1974): 5-33.■. "An Introduction to Southern European Transitions from Authoritarian Rule: Italy, Greece, Portugal, Spain and Turkey." In G. O'Donnell,■ P. C. Schmitter, and L. Whitehead, eds., Transitions from Authoritarian Rule, 3-10. Baltimore, Md.: Johns Hopkins University Press, 1986.■ Silva, Fernando Dioga da. "Uma Administração Envelhecido." Revista da Ad-ministraçao Pública 2 (Oct.-Dec. 1979).■ Simões, Martinho, ed. Relatório Do 25 De Novembro: Texto Integral, 2 vols. Lisbon, 1976.■ Soares, Isabel, ed. Mário Soares: O homem e o político. Lisbon, 1976. Soares, Mário. Democratização e Descolonização: Dez meses no Governo Provisório. Lisbon, 1975. Sobel, Lester A., ed. Portuguese Revolution, 1974-1976. New York: Facts on File, Inc., 1976.■ Spínola, Antônio de. Portugal e o Futuro. Lisbon, 1974.■. País Sem Rumo: Contributo para a História de uma Revolução. Lisbon, 1978.■ Story, Jonathan. "Portugal's Revolution of Carnations: Patterns of Change and Continuity." International Affairs 52 (July 1976): 417-34. Sweezey, Paul. "Class Struggles in Portugal." Monthly Review 27, 4 (Sept. 1975): 1-26.■ Szulc, Tad. "Lisbon and Washington: Behind Portugal's Revolution." Foreign Policy 21 (Winter 1975-76): 3-62. Tavares de Almeida, Antônio. Balsemão: O retrato. Lisbon, 1981. "Vasco." Desenhos Políticos. Lisbon, 1974.■ Vasconcelos, Alvaro. "Portugal in Atlantic-Mediterranean Security." In Douglas T. Stuart, ed., Politics and Security in the Southern Region of the Atlantic Alliance, 117-36. London: Macmillan, 1988.■ Wheeler, Douglas L. "Golpes militares e golpes literários. A literatura do golpe de 25 de Abril de 1974 em contexto histôrico." Penélope. Fazer E Desfazer A História, 19-20 (1998): 191-212.■. "Tributo ao Historiador dos Historiadores. Memorias de A.H.de Oliveira Marques (1933-2007)," Historia XXIX, 95, III series (March 2007), 18-22.■ Wiarda, Howard J. Transcending Corporatism? The Portuguese Corporative System and the Revolution of 1974. Columbia: Institute of International Studies, University of South Carolina, 1976.■. The Transition to Democracy in Spain and Portugal. Washington, D.C.: American Enterprise Institute for Public Policy Research, 1989. Wise, Audrey. Eyewitness in Revolutionary Portugal. With a Preface by Judith Hart, MP. London: Spokesman, 1975.■ PHYSICAL FEATURES: GEOGRAPHY, GEOLOGY, FAUNA, AND FLORA■ Birot, Pierre. Le Portugal: Étude de géographie régionale. Paris, 1950.■ Embleton, Clifford. Geomorphology of Europe. London: Macmillan, 1984.■ Girão, Aristides de Amorim. Divisão regional, divisão agrícola e divisão administrativa. Coimbra, 1932.■. Condições geográficos e históricas de autonomia política de Portugal. Coimbra, 1935.■. Atlas de Portugal, 2nd ed. Coimbra, 1958.■ Ribeiro, Orlando. Portugal, O Mediterrâneo e o Altântico. Coimbra, 1945 and later eds.■. Portugal. Volume V of Geografia de Espana y Portugal. Barcelona, 1955.■. Ensaios de Geografia Humana e regio nal. Lisbon, 1970.■. A geografia e a divisão regional do país. Lisbon, 1970.■ Stanislawski, Dan. The Individuality of Portugal. Austin: The University of Texas Press, 1959.■. Portugal's Other Kingdom: The Algarve. Austin: University of Texas Press, 1963.■ Taylor, Albert William. Wild Flowers of Spain and Portugal. London: Chatto & Windus, 1972.■ Way, Ruth, and Margaret Simmons. A Geography of Spain and Portugal. London: Methuen, 1962.■ ARCHAEOLOGY AND PREHISTORY■ "Actas do Colóquio Inter-Universitário do Noroeste Peninsular (Porto-Baião, 1988), vol. II, Proto-História, romanização e Idade Média." In Trabalhos de antropologia e etnologia. 28, 3-4 (1988).■ Alarcão, Jorge de, ed. "Do Paleolítico va arte visigótica." Vol. 1, História da■ Arte em Portugal. Lisbon: Alfa, 1986.■. Roman Portugal, 3 vols. Warminister, U.K.: Aris & Phillips, 1988.■. Portugal Das Orígens A Romanização. Vol. I. In J. Serrão and A. H. de Oliveira Marques, eds. Nova História de Portugal. Lisbon: Presença, 1990. Anderson, James M., and M. S. Lea. Portugal 1001 Sights: An Archaeological and Historical Guide. Calgary, Alberta: University of Calgary and Robert Hale, 1994.■ Balmuth, Miriam S., Antonio Gilman, and Lourdes Prados-Torreira, eds. Encounters and Transformations: The Archaeology of Iberia in Transition. Monographs in Mediterranean Archaeology, no. 7. Sheffield, U.K.: Sheffield Academic Press, 1997.■ Beirão, C. M. M. Une civilization protohistorique du Sud au Portugal ( 1er Age du Fer). Paris: D. Boccard, 1986.■ Cardoso, João Luís, Santinho A. Cunha, and Delberto Aguiar. O Homem Pre-Histórico no Concelho de Oeiras. Oeiras, Portugal: Estudos Arquelógicos de Oeiras, 1991.■ Harrison, Richard J. The Bell Beaker Cultures of Spain and Portugal. Cambridge, Mass.: Harvard University Press, 1977.■ Mangas, Júlio, ed. Hispania epigraphica. Madrid, 1989.■ Maloney, Stephanie J. "The Villa of Toerre de Palma, Portugal: Archaeology and Preservation." Portuguese Studies Review VIII, 1 (Fall-Winter, 1999-2000): 14-28.■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. London, 1968.■ Silva, A. C. F. A cultura castreja no Noroeste de Portugal. Paços de Ferreira:■ Museu da Citânia de Sanfins, 1986. Straus, L. G. Iberia before the Iberians. Albuquerque, N.M., 1992.■ FOREIGN TRAVELERS AND RESIDENTS' ACCOUNTS■ Andersen, Hans Christian. A Visit to Portugal 1866. London: Peter Owen, 1972.■ Beckford, William. Italy, with Sketches of Spain and Portugal. Paris: Baudry's European Library, 1834.■ Boyd Alexander, ed. London: Hart-Davies, 1954.■. Recollections of an Excursion to the Monasteries of Alcoboca and Batalha. Fontwell, U.K.: Centaur Press, 1972.■ Bell, Aubrey F. G. In Portugal. London: Bodley Head, 1912.■ Borrow, George. The Bible in Spain, 2 vols. London: Constable, 1923 ed.■ Chaves, Castelo Branco. Os livros de viagens em Portugal no século XVIII e a sua projecção europeia. Lisbon, 1977.■ Costigan, Arthur William. Sketches of Society and Manners in Portugal. London: T. Vernon, 1787.■ Crawfurd, Oswald. Portugal Old and New. London: Kegan, Paul, 1880.■. Round the Calendar in Portugal. London: Chapman & Hall, 1890.■ Darymple, William. Travels through Spain and Portugal in 1774. London: J. Almon, 1777.■ Dumouriez, Charles Francois Duperrier. An Account of Portugal as It Appeared in 1766. London: C. Law, 1797.■ Fielding, Henry. Jonathan Wild and the Journal of a Voyage to Lisbon. London: J. M. Dent, 1932.■ Fullerton, Alice. To Portugal for Pleasure. London: Grafton, 1945.■ Gibbons, John. I Gathered No Moss. London: Robert Hale, 1939.■ Gordon, Jan, and Cora Gordon. Portuguese Somersault. London: Harrap, 1934.■ Hewitt, Richard. A Cottage in Portugal. New York: Simon & Schuster, 1996.■ Huggett, Frank. South of Lisbon: Winter Travels in Southern Portugal. London: Gollancz, 1960.■ Hume, Martin. Through Portugal. London: Richards, 1907.■ Hyland, Paul. Backwards Out of the Big World: A Voyage into Portugal. Hammersmith, U.K.: HarperCollins, 1996.■ Jackson, Catherine Charlotte, Lady. Fair Lusitania. London: Bentley, 1874.■ Kelly, Marie Node. This Delicious Land Portugal. London: Hutchinson, 1956.■ Kempner, Mary Jean. Invitation to Portugal. New York: Athenaeum, 1969.■ Kingston, William H. G. Lusitanian Sketches of the Pen and Pencil. 2 vol. London: Parker, 1845.■ Landmann, George. Historical, Military and Picturesque Observations on Portugal. 2 vol. London: Cadell and Davies, 1818.■ Latouche, John [Pseudonym of Oswald Crawfurd]. Travels in Portugal. London: Ward, Lock & Taylor, ca. 1874.■ Link, Henry Frederick. Travels in Portugal and France and Spain. London: Longman & Rees, 1801.■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.■. They Went to Portugal, Too. Manchester: Carcanet Books, 1990.■ Merle, Iris. Portuguese Panorama. London: Ouzel, 1958.■ Murphy, J. C. Travels in Portugal. London: 1795.■ Proper, Datus C. The Last Old Place: A Search through Portugal. New York: Simon & Schuster, 1992.■ Quillinan, Dorothy [Wordsworth]. Journal of a Few Months in Portugal with Glimpses of the South of Spain. 2 vol. London: Moxon, 1847. Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1954. Smith, Karine R. Until Tomorrow: Azores and Portugal. Snohomish, Wash.: Snohomish Publishing, 1978. Southey, Robert. Journals of a Residence in Portugal, 1800-1801 and a Visit to France, 1838. London and New York: Oxford Univ. Press, 1912. Thomas, Gordon Kent. Lord Byron's Iberian Pilgrimage. Provo, Utah: Brigham Young University Press, 1983. Twiss, Richard. Travels through Portugal and Spain in 1772-1773. London, 1775.■ Watson, Gilbert. Sunshine and Sentiment in Portugal. London: Arnold, 1904. Wheeler, Douglas L. "A[n American] Fulbrighter in Lisbon, Portugal, 196162." Portuguese Studies Review 1 (1991): 9-16.■ PORTUGUESE CARTOGRAPHY, DISCOVERIES, AND NAVIGATION■ Albuquerque, Luís de. Curso de História de Naútica. Coimbra, 1972.■. Introdução a história dos descobrimentos, 3rd ed. Mem Martins, 1983.■. Os Descobrimentos Portugueses. Lisbon: Alfa, 1983.■. Portuguese Books on Nautical Science from Pedro Nunes to 1650. Lisbon, 1984.■. Os Descobrimentos Portugueses. Lisbon, 1985.■ Boorstin, Daniel. The Discoverers. New York: Random House, 1983. Boxer, C. R. The Portuguese Seaborne Empire, 1415-1825. London: Hutchinson, 1969.■ Brazão, Eduardo. La découverte de Terre-Neuve. Montreal: Les Presses de l'Université, 1964.■. "Les Corte-Real et le Nouveau Monde." Revue d'histoire d'Amérique Française 19, 1 (1965): 335-49. Cortesão, Armando, and Avelino Teixeira de Mota. Cartografia Portuguesa Antiga. Lisbon, 1960.■. Portugalia Monumenta Cartográfica, 6 vols. Lisbon, 1960-62.■. História da Cartografia Portuguesa, 2 vols. Coimbra, 1969-70.■ Cortesão, Jaime. L'expansion des portugais dans l'historie de la civilisation. Brussels, 1930.■. Os descobrimentos portugueses, 2 vols. V. Magalhães Godinho and Joel Serrão, eds. Lisbon, 1960.■. A expansão dos Portugueses no período henriquinho. Lisbon, 1965.■. Descobrimentos precolombanos dos portugueses. Lisbon, 1966.■ Costa, Abel Fontoura da. A Marinharia dos Descobrimentos, 3rd ed. Lisbon, 1960.■ Costa Brochado, Idalino F. Descobrimento do Atlântico. Lisbon, 1958. English ed., 1959-60.■ Coutinho, Admiral Gago. A naútica dos descobrimentos, 2 vols. Lisbon, 1951-52.■ Crone, G. R. Maps and Their Makers. New York: Capricorn Books, 1966.■ Dias, José S. da Silva. Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.■ Disney, Anthony, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.■ Godinho, Vitorino Magalhães, ed. Documentos sobre a expansão portuguesa [ to 1460], 3 vols. Lisbon, 1945-54.■ Guedes, Max, and Gerald Lombardi, eds. Portugal. Brazil: The Age of Atlantic Discoveries. Lisbon: Bertrand; Milan: Ricci; Brazilian Culture Foundation, 1990. [Catalogue of New York Public Library Exhibit, Summer 1990]■ Harley, J. B., and David Woodward. The History of Cartography. Volume 1: Cartography in Prehistoric, Ancient and Medieval Europe and Mediterranean. Chicago: University of Chicago Press, 1987.■ Leite, Duarte. História dos Descobrimentos: Colectânea de esparsos, 2 vols. Lisbon, 1958-61.■ Ley, Charles. Portuguese Voyages, 1498-1663. London: Dent, 1953.■ Marques, J. Martins da Silva. Descobrimentos portugueses, 2 vols. Lisbon, 1944-71.■ Martyn, John R. 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Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.■ Mendes Pinto, Fernão. 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Bishko, Charles Julian. Spanish and Portuguese Monastic History 600-1300. London, Variorum Reprints, 1984.■ Blanshard, Paul. Freedom and Catholic Power in Spain and Portugal. Boston: Beacon Press, 1962.■ Boxer, C. R. The Church Militant and Iberian Expansion 1440-1770. Baltimore, Md.: Johns Hopkins University Press, 1978. Bruneau, Thomas C. "Church and State in Portugal: Crises of Cross and Sword." Journal of Church and State XVIII (1976): 463-90. Freire, José Geraldes. Resistência Católico ao Salazarismo-Marcelismo. Oporto, 1976.■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. John C. Banner, trans. Stanford, Calif.: Stanford University Press, 1962.■ IPOPE. Estudo sobre liberdade e religião em Portugal. Lisbon, 1973. Johnston, Francis. Fátima: The Great Sign. Chulmleigh, U.K.: Augustine Publications, 1980.■ Kondor, Fr. Louis. Fátima in Lucia's Own Words: Sister Lucia's Memoirs. Fatima: Postulation Center, 1976. Lourenço, Joaquim Maria. Situação jurídica da Igreja em Portugal. Coimbra, 1943.■ Mattoso, José. Religião e Cultura na Idade Média Portuguesa. Lisbon, 1982. Miller, Samuel J. Portugal and Rome c. 1748-1830: An Aspect of Catholic Enlightenment. Rome: Universita Gregoriana Editrice, 1978. O'Malley, John W. The First Jesuits. Cambridge, Mass.: Harvard University Press, 1993.■ Pattee, Richard. Portugal and the Portuguese World. Milwaukee, Wisc.: Bruce, 1957.■ Prestage, Edgar. Portugal: A Pioneer of Christianity. Lisbon, 1945.■ Richard, Robert. Etudes sur l'histoire morale et religieuse de Portugal. Paris: Centro Cultural de Gulbenkian, 1970.■ Robinson, Richard A. H. "The Religious Question and Catholic Revival in Portugal, 1900-1930." Journal of Contemporary History XII (1977): 345-62.■. Contemporary Portugal: A History. London: Allen & Unwin, 1979.■ Rodrigues, R. P. Francisco. História da Companhia de Jesus na Assistência de Portugal, 7 vols. Lisbon, 1931-50.■ Roth, Cecil. A History of the Marranos. Philadelphia: Jewish Publication Society of America, 1932.■ Agriculture, Viticulture, and Fishing■ Abreu-Ferreira, Darlene. "The Portuguese in Newfoundland: Documentary Evidence Examined." Portuguese Studies Review 4, 1 (1995-96): 11-33.■ Allen, H. Warner. The Wines of Portugal. London: Michael Joseph, 1963.■ Barros, Afonso de. A reforma agrária em Portugal. Oeiras, 1979.■ Beamish, Huldine V. The Hills of Alentejo. London: Geoffrey Bles, 1958.■ Bennett, Norman R. "The Golden Age of the Port Wine System, 1781-1807." The International History Review XII (1990): 221-18.■ Black, Richard. "The Myth of Subsistence: Market Production in the Small Farm Sector of Northern Portugal." Iberian Studies 1, 8 (1989): 25-41.■ Bravo, Pedro, and Duarte de Oliveira. Viticulture Moderna. Lisbon, 1974.■. Vinhas e Vinhos De Portugal. Lisbon, 1979.■ Cabral, Manuel V. "Agrarian Structures and Recent Movements in Portugal." Journal of Peasant Studies 4, 5 (July 1978): 411-45.■ Cardoso, José Carvalho. A Agricultura Portuguesa. Lisbon, 1973.■ Carvalho, Bento de. Guía Dos Vinhos Portugueses. Lisbon, 1982.■ Clarke, Robert. Open Boat Whaling in the Azores: The History and Present Methods of a Relic Industry. Cambridge: Cambridge University Press, 1954.■ Cockburn, Ernest. Port Wine and Oporto. London: Wine & Spirit, 1949. Cole, S. C. "Cod, Cod Country and Family: The Portuguese Newfoundland Fishery." Mast 3, 1 (1990): 1-29.■ Coull, James. The Fisheries of Europe. London: G. Bell & Sons, 1972.■ Croft-Cooke, Rupert. Port. London: Putnam, 1957.■. Madeira. London: Putnam, 1961.■ Delaforce, John. The Factory House at Oporto. London: Christie's Wine Publications, 1979 and later eds.■ Doel, Patricia A. Port O'Call: Memories of the Portuguese White Fleet in St. John's Newfoundland. St. John's, Newfoundland: ISER, 1992.■ Fletcher, Wyndham. Port: An Introduction to Its History and Delights. London: Bernet, 1978.■ Francis, A. D. The Wine Trade. London: Adam and Charles Black, 1972.■ Freitas, Eduardo, João Ferreira de Almeida, and Manuel Villaverde Cabral. Modalidades de penetração do capitalismo na agricultura: estruturas agrárias em Portugal Continental, 1950-1970. Lisbon, 1976.■ Gonçalves, Francisco Esteves. Portugal: A Wine Country. Lisbon, 1984.■ Gulbenkian Foundation. Agrarian Reform. Lisbon, 1981.■ Kurlansky, Mark. Cod: A Biography of the Fish That Changed the World. New York: Walker, 1997.■ Malefakis, Edward. "Two Iberian Land Reforms Compared: Spain, 1931-1936 and Portugal, 1974—1978." In Gulbenkian Foundation, Agrarian Reform. Lisbon, 1981.■ Moutinho, M. História da pesca do bacalhau. Lisbon: Imprensa Universitária, 1985.■ Oliveira Marques, A. H. de. lntrodução a história da agricultura em Portugal.■ Lisbon, 1968. Pato, Octávio. O Vinho. Lisbon, 1971.■ Pearson, Scott R. Portuguese Agriculture in Transition. Ithaca, N.Y.: Cornell University Press, 1987.■ Postgate, Raymond. Portuguese Wine. London: Dent, 1969.■ Read, Jan. The Wines of Portugal. London: Faber & Faber, 1982.■ Robertson, George. Port. London: Faber & Faber, 1982 ed.■ Rutledge, Ian. "Land Reform and the Portuguese Revolution." Journal of Peasant Studies 5, 1 (Oct. 1977): 79-97.■ Sanceau, Elaine. The British Factory at Oporto. Oporto, 1970.■ Simon, Andre L. Port. London: Constable, 1934.■ Simões, J. Os grandes trabalhadores do Mar: Reportagens na Terra Nova e na Groenlândia. Lisbon: Gazeta dos Caminho de Ferro, 1942.■ Smith, Diana. Portugal and the Challenge of 1992: Special Report. New York: Camões Center/RIIC, Columbia University, 1990.■ Stanislawski, Dan. Landscapes of Bacchus: The Vine in Portugal. Austin: University of Texas Press, 1970.■ Teixeira, Carlos, and Victor M. Pereira da Rosa, eds. The Portuguese in Canada: From the Seat to the City. Toronto: University of Toronto Press, 2000.■ Unwin, Tim. "Farmers' Perceptions of Agrarian Change in Northwest Portugal." Journal of Rural Studies 1, 4 (1985): 339-57.■ Valadão do Valle, E. Bacalhau: tradições históricas e económicos. Lisbon, 1991.■ Venables, Bernard. Baleia! The Whalers of Azores. London: Bodley Head, 1968.■ Villiers, Alan. The Quest of the Schooner Argus: A Voyage to the Banks and Greenland. New York: Scribners, 1951. World Bank. Portugal: Agricultural Survey. Washington, D.C.: World Bank, 1978.■ ECONOMY, INDUSTRY, AND DEVELOPMENT■ Aiyer, Srivain, and Shahid A. Chandry. Portugal and the E.E.C.: Employment and Implications. Lisbon, 1979.■ Baklanoff, Eric N. The Economic Transformation of Spain and Portugal. New York: Praeger, 1978.■. "Changing Systems: The Portuguese Revolution and the Public Enterprise Sector." ACES ( Association of Comparative Economic Studies) Bulletin 26 (Summer-Fall 1984): 63-76.■. "Portugal's Political Economy: Old and New." In K. Maxwell and M. Haltzel, eds., Portugal: Ancient Country, Young Democracy, 37-59. Washington, D.C.: Wilson Center Press, 1990.■ Barbosa, Manuel P. Growth, Migration and the Balance of Payments in a Small, Open Economy. New York: Garland, 1984.■ Braga de Macedo, Jorge, and Simon Serfaty, eds. Portugal since the Revolution: Economic and Political Perspectives. Boulder, Colo.: Westview, 1981.■ Carvalho, Camilo, et al. Sabotagem Econômica: " Dossier" Banco Espírito Santo e Comercial de Lisboa. Lisbon, 1975.■ Corkill, David. The Development of the Portuguese Economy: A Case of Euro-peanization. London: Routledge, 1999.■ Cravinho, João. "The Portuguese Economy: Constraints and Opportunities." In K. Maxwell, ed., Portugal in the 1980s, 111-65. Westport, Conn.: Greenwood, 1986.■ Dornsbusch, Rudiger, Richard S. Eckhaus, and Lane Taylor. "Analysis and Projection of Macroeconomic Conditions in Portugal." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 299-330. Austin: University of Texas Press, 1979.■ The Economist (London). "On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.■. "Coming Home: A Survey of Portugal." (May 28, 1988).■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.■. As Finanças Públicas Portuguesas Entre As Duas Guerras Mundiais. Lisbon: Cosmos, 1994.■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.■ PHOTOGRAPHY ON PORTUGAL■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.■. Os melhores postais antigos de Lisboa ( The best old postcards of Lisbon). Lisbon: Químera, 1995.■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.■ EQUESTRIANISM■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.■ Horsetalk Magazine. Published in New Zealand.■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.■ Websites of interest: www.equestrian.pt portugalweb.comHistorical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE
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16 Berke, William A.
1903-1958Despues de graduarse en la Escuela Politecnica de Los Angeles, Berke intenta abrirse camino en el cine, en el departamento fotografico. Una lesion ocular orienta su actividad hacia la produccion y la direccion, particularmente de westerns de bajo presupuesto, a partir de mediados de los anos treinta. Es tamos, pues, de nuevo ante un realizador de series y modestas pe liculas de genero. Trabajo, sobre todo, para la estrella de la epoca, Charles Starrett, con Co lumbia. Utiliza, en los comienzos de su carrera como director, los seudonimos de Lester Williams y William Hall.The Pecos Kid. 1935. 60 minutos. Blanco y Negro. Commodore. Fred Kohler, Jr., Ruth Findley, Roger Williams.Toll of the Desert (Lester Wiliams). 1935. 60 minutos. Blanco y Negro. Commodore. Fred Kohler, Jr., Betty Mack.Desert Justice (Lester Williams). 1936. 58 minutos. Blanco y Negro. Atlantic. Jack Perrin, David Sharpe, Maryan Downing.Gun Grit (Lester Williams). 1936. 51 minutos. Blanco y Negro. Atlantic. Jack Perrin, Ethel Beck, David Sharpe.Lawless Plainsmen. 1942. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Luana Walters, Cliff Edwards.Down Rio Grande Way. 1942. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Rose Anne Stevens, Britt Wood.Riders of the Northland. 1942. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Shirley Patterson, Cliff Edwards.Bad Men of the Hills. 1942. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Luana Walters, Cliff Edwards.Overland to Deadwood. 1942. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Leslie Brooks, Cliff Edwards.Riding Through Nevada. 1942. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Shirley Patterson, Arthur Hunnicutt.The Lone Prairie. 1942. 58 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Lucille Lambert.Pardon My Gun. 1942. 56 minutos. Blanco y Negro. Columbia. Charles Starrett, Alma Carroll, Arthur Hunnicutt.A Tornado in the Saddle. 1942. 59 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Alma Carroll.The Fighting Buckaroo. 1943. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Kay Harris, Arthur Hunnicutt.Riders of the Northwest Mounted. 1943. 57 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Adele Mara.Saddles and Sagebrush. 1943. 54 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Ann Savage.Law of the Northwest. 1943. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Shirley Patterson, Arthur Hunnicutt.Frontier Fury. 1943. 55 minutos. Blanco y Negro. Columbia. Charles Starrett, Roma Aldrich, Arthur Hunnicutt.Robin Hood of the Range. 1943. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Kay Harris, Arthur Hunnicutt.Hail to the Rangers. 1943. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Leota Atcher, Arthur Hunnicutt.Silver City Raiders. 1943. 55 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Alma Carroll.The Vigilantes Ride. 1944. 56 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Shirley Patterson.Wyoming Hurricane. 1944. 58 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Alma Carroll.Riding West. 1944. 58 minutos. Blanco y Negro. Columbia. Charles Starrett, Shirley Patterson, Arthur Hunnicutt.The Last Horseman. 1944. 60 minutos. Blanco y Negro. Columbia. Russell Hayden, Dub Taylor, Ann Savage.Sunset Pass. 1946. 59 minutos. Blanco y Negro. RKO. James Warren, Nan Leslie, Jane Greer.Renegade Girl. 1946. 65 minutos. Blanco y Negro. Screen Guild. Alan Curtis, Ann Savage.Code of the West. 1947. 57 minutos. Blanco y Negro. RKO. James Warren, Steve Brodie, Rita Lynn.Deputy Marshal. 1949. 60 minutos. Blanco y Negro. Lippert. Jon Hall, Dick Foran, Frances Langdorf, Julie Bishop.I Shot Billy the Kid. 1950. 57 minutos. Blanco y Negro. Donald M. Barry Productions (Lippert). Don Barry, Robert Lowery, Wendy Lee.Gunfire. 1950. 62 minutos. Blanco y Negro. Donald M. Barry Productions (Lippert). Don Barry, Robert Lowery, Pamela Blake.Train to Tombstone. 1950. 56 minutos. Blanco y Negro. Donald M. Barry Productions (Lippert). Don Barry, Robert Lowery, Judith Allen.Border Rangers. 1950. 62 minutos. Blanco y Negro. Donald M. Barry Productions (Lippert). Don Barry, Robert Lowery, Pamela Blake.The Bandit Queen. 1950. 70 minutos. Blanco y Negro. Lippert. Barbara Britton, Willard Parker, Jack Perrin.The Marshal’s Daughter. 1953. 71 minutos. Blanco y Negro. UA. Hoot Gibson, Laurie Anders, Johnny Mack Brown, Jimmy Wakely.English-Spanish dictionary of western films > Berke, William A.
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17 James, Alan
1890-1952 (o Alvin J. Neitz)Realizador y guionista, Alan James, que popularizo su seudonimo, Alvin J. Neitz, repartio sus casi 80 realizaciones entre el cine mudo y el sonoro, a partes iguales. Curiosamente, y a pesar de que ambas funciones, la de director y la de guionista, las simultaneo, no es excesiva la cifra de las peliculas en que de sempeno ambos cometidos. Fue todo lo prolifico que las circunstancias –peliculas de una hora de duracion en productos baratos de consumo inmediato– aconsejaban. Casi la tercera parte de sus westerns sonoros los protagonizo el actor Ken Maynard.Firebrand Jordan. 1930. 55 minutos. Blanco y Negro. National Players/Big 4. Lane Chandler, Aline Goodwin, Yakima Canutt.Canyon Hawks (co-d.: J.P. McGowan). 1930. 60 minutos. Blanco y Negro. Big 4. Yakima Canutt, Rene Borden, Wally Wales.Trails of Peril. 1930. 63 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire.Breed of the West. 1930. 59 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire, Buzz Barton.Red Fork Range. 1931. 59 minutos. Blanco y Negro. Big 4. Wally Wales, Ruth Mix.Hell’s Valley. 1931. 55 minutos. Blanco y Negro. Big 4. Wally Wales, Virginia Brown Faire.Pueblo Terror. 1931. 59 minutos. Blanco y Negro. Cosmos. Jay Wilsey, Jack Harvey, Wanda Hawley.Flying Lariats (co-d.: David Kirkland). 1931. 60 minutos. Blanco y Negro. Big 4. Wally Wales, Sam Garrett, Buzz Barton, Bonnie Gray.Lariats and Sixshooters. 1931. 55 minutos. Blanco y Negro. Cosmos. Jack Perrin, Ann Lee.Come On, Tarzan (Con Tarzan me basta/Tarzan, potro salvaje). 1932. 61 minutos. Blanco y Negro. World Wide. Ken Maynard, Merna Kennedy, Kate Campbell.Tex Takes a Holiday. 1932. 60 minutos. Naturalcolor. Argosy. Wallace MacDonald, Virginia Brown Faire, James Dillon.Tombstone Canyon. 1932. 62 minutos. Blanco y Negro. KBS Productions. Ken Maynard, Cecilia Parker.Phantom Thunderbolt. 1933. 63 minutos. Blanco y Negro. World Wide. Ken Maynard, Frances Lee, Frank Rice.The Lone Avenger (El vengador solitario). 1933. 61 minutos. Blanco y Negro. World Wide. Ken Maynard, Muriel Gordon.King of the Arena. 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Lucile Browne.The Trail Drive. 1933. 60 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker, Frank Rice.Strawberry Roan (El potro indomable). 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Ruth Hall, Frank Yaconelli.Fargo Express (El incorregible). 1933. 61 minutos. Blanco y Negro. KBS Productions. Ken Maynard, Helen Mack.Gun Justice (Un mal paso). 1933. 59 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker.Wheels of Destiny (Tierra de promision). 1934. 64 minutos. Blanco y Negro. Universal. Ken Maynard, Dorothy Dix.Honor of the Range (Deuda de honor). 1934. 61 minutos. Blanco y Negro. Universal. Ken Maynard, Cecilia Parker.Smoking Guns (La vuelta del perseguido). 1934. 62 minutos. Blanco y Negro. Universal. Ken Maynard, Gloria Shea.When a Man Sees Red. 1934. 60 minutos. Blanco y Negro. Universal. Buck Jones, Peggy Campbell, LeRoy Mason, Dorothy Revier.Valley of Wanted Men. 1935. 62 minutos. Blanco y Negro. Ambassador. Frankie Darro, LeRoy Mason.Swifty. 1935. 58 minutos. Blanco y Negro. Diversion. Hoot Gibson, June Gale.Lucky Terror. 1936. 61 minutos. Blanco y Negro. Grand National. Hoot Gibson, Lona Andre.Wild Horse Round-Up. 1936. 58 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Beth Marion.The Painted Stallion (co-d.: Ray Taylor, William Witney). 1937. 212 minu tos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.West of Rainbow’s End. 1938. 57 minutos. Blanco y Negro. Monogram. Tim McCoy, Kathleen Eliot.The Painted Stallion (co-d.: Ray Taylor, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.Land of Fighting Men. 1938. 53 minutos. Blanco y Negro. Monogram. Jack Randall, Bruce Bennett, Louise Stanley.Call of the Rockies. 1938. 54 minutos. Blanco y Negro. Columbia. Charles Starrett, Donald Grayson, Iris Meredith, Bob Nolan.Two Gun Justice. 1938. 57 minutos. Blanco y Negro. Monogram. Tim McCoy, Betty Compson.Flaming Frontiers (co-d.: Ray Taylor). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.Trigger Smith. 1939. 59 minutos. Blanco y Negro. Monogram. Jack Randall, Joyce Bryant.Wild Horse Stampede. 1943. 59 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Betty Miles.The Law Rides Again. 1943. 58 minutos. Blanco y Negro. Monogram. Ken Maynard, Hoot Gibson, Betty Miles. -
18 Holmes, Oliver Wendell
I(1809-1894) Холмс, Оливер УэнделлВрач-физиолог; поэт, эссеист. Один из "бостонских браминов" [ Boston brahmins], выпускник Гарвардского университета [ Harvard University], позднее его профессор, декан медицинского факультета [ medical school]. Как поэт прославился в студенческие годы, выступив за сохранение фрегата "Конститьюшн" [ Constitution, U.S.S.] в стихотворении "Старик-железный бок" [ Old Ironsides] (1830). Основные особенности прозы - свободные, бессюжетные повествования, насыщенные афоризмами, игрой слов и т.п. С 1857 в "Атлантик мансли" [ Atlantic Monthly] выходят его эссе под общим названием "Самодержец утреннего застолья" ["The Autocrat of the Breakfast Table"], содержавшие дерзкие выпады против религиозных устоев. В последний период творчества писал мемуары, создал ряд "медицинских романов", опубликовал биографии Дж. Мотли [ Motley, John Lothrop] и Р. У. Эмерсона [ Emerson, Ralph Waldo] и других крупнейших деятелей американской культуры и науки. В 1910 избран в Национальную галерею славы [ Hall of Fame]. Отец юриста О. У. Холмса [Holmes, Oliver Wendell]II(1841-1935) Холмс, Оливер УэнделлЮрист, государственный деятель. После Гражданской войны [ Civil War] адвокат, преподаватель конституционного права в Гарвардском университете [ Harvard University] (1870-71), главный редактор журнала "Американ ло ревью" [American Law Review] (1870-73), председатель Верховного суда Массачусетса (1899-1912). В 1902-32 член Верховного суда США [ Associate Justice of the Supreme Court]. Как лидер его либерального крыла заслужил уважительное прозвище "великий инакомыслящий" ["the great dissenter"], отражающее роль, которую он сыграл при рассмотрении Верховным судом [ Supreme Court, U.S.] дел "Локнер против штата Нью-Йорк" [ Lochner v. New York] (1905) и "Хаммер против Дагенхарта" [ Hammer v. Dagenhart] (1918). Его особое мнение в деле "Эбрамс против Соединенных Штатов" [ Abrams v. the United States] (1919) вошло в историю как мощный аргумент в защиту свободы слова. Среди научных трудов - "Общее право" ["The Common Law"] (1881). В 1965 избран в Национальную галерею славы [ Hall of Fame]English-Russian dictionary of regional studies > Holmes, Oliver Wendell
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19 appear
1. Istrange as it may appear как ни странно; things are not always as they appear не все обстоит так, как кажется, видимость обманчива2. II1) appear in some manner appear suddenly (majestically, miraculously, mysteriously, etc.) внезапно и т. д. появляться /показываться/; appear some where appear far away показываться / появляться/ вдали; appear at some time she appeared very late она появилась очень поздно; he appeared at last наконец он появился; when the sun appeared again когда солнце снова показалось /вышло/ [из-за туч]2) appear in some manner books (articles, magazines, papers, etc.) may appear serially (anonymously, unexpectedly, etc.) книги и т. д. могут выходить по частим /выпусками/ и т. д., appear at some time appear daily /every day/ (fortnightly, posthumously, etc.) выходить ежедневно и т. д.3. XIIIappear to be in some state appear to be sad (to be very ill, to be well, to be strange, to be satisfied, to be fidgety, etc.) казаться грустным и т. д., иметь грустный и т. д. вид; she appeared to be as helpless as a child они казалась /выглядела/ беспомощной как ребенок; he appeared to be ignorant of the fact было похоже на то, что он ничего не знает об этом [факте]; he appears to be forty на вид ему лет сорок; she appears to be suffering создается впечатление, что она страдает; he appears to have a lot of friends у него, по-видимому, много друзей; she appeared to hesitate казалось, [что] она колеблется; this appears to be correct (plausible, necessary, reasonable, etc.) это представляется правильным и т. д.; the plan appears to be good план кажется удачным4. XVI1) appear in (on, at, etc.) smth. appear in the country (in our parts, on the frontier, at the window, etc.) появляться в стране и т.д.; appear in the distance показываться / появляться/ вдали; the ship appeared on the horizon на горизонте показался корабль; he was the last to appear on the scene он появился на месте происшествия последним; this settlement appeared in the south of the country in late XIII th century это поселение возникло на юге страны в конце тринадцатого века; where did you appear from? откуда ты взялся?; appear at some time he did not appear until six он появился лишь в шесть часов; appear below (before /in front of/, etc.) smb. when the sea appeared far below us когда далеко внизу нашим взорам /перед нами/ открылось /мы увидели/ море; he appeared before /in front of/ us in the flesh он предстал п(е)ред нами собственной персоной2) appear on (in, before, etc.) smth. appear on the stage (in a play, before the footlights, in every concert hall, etc.) выступать /играть/ на сцене и т. д., he first appeared in films when he was six он начал сниматься в кино, когда ему было шесть лет; appear before smb. appear before children выступать перед детьми3) appear before smb., smth. appear before a judge (before a magistrate, before a court of justice, etc.) предстать перед судьей и т. д. || appear in /at/ court а) выступать в суде; б) явиться в суд; he failed to appear in court он не явился в суд (по повестке); appear in the case (in the inquiry, etc.) проходить по этому делу и т. д.; appear for (against) smb. appear for the defendant (for the plaintiff, for Mr. Smith, etc.) выступать (в суде) в качестве адвоката ответчика и т.д.; appear for the prosecution выступать (в суде) от лица обвинения, поддерживать обвинение; appear against the defendant выступать против ответчика4) appear at (in) smth. appear at parties (at social gatherings, in bars, etc.) бывать /появляться/ на вечерах и т.д.; she never appears in society now она теперь совсем не бывает /не появляется/ в обществе; appear in public а) показываться на люди; б) выступать публично5) appear in smth. appear in a magazine (in a newspaper, etc.) появляться в журнале и т. д.; the article will appear in the next issue статья будет опубликована в следующем номере; novels (articles, stories, etc.) may appear in parts (in book-form, etc.) романы и т. д. могут выходить выпусками /по частям/ и т. д.; it first appeared in print last year это впервые было опубликовано в прошлом году6) appear to smb. a wonderful vision appeared to me мне явилось чудное видение5. XX1appear as smb.1) appear as Hamlet (as Lear, as the hero, etc.) выступать в роли /играть роль/ Гамлета и т. д.2) appear as witness (as plaintiff, as defendant, etc.) выступать свидетелем u т. д. (в суде)6. XXVit appears that... it appears that they are relatives (that we must go, that something is wrong, that he is not here, etc.) оказывается, [что] они родственники и т. д.; it appears that he was at home all the time оказывается, он все время был дома abs as presently appeared he was in fact her father как выяснилось несколько позднее, он в действительности был ее отцом; the boat, it appears, did not call at Leningrad пароход, по-видимому /по всем данным/, не заходил в Ленинград7. XXVII2it appears to smb. that... it appears to me that the work can be done in time мне кажется /мне представляется, у меня создается такое впечатление/, что работа может быть выполнена в срок; it appears from smth. that... it appears from what you say (from the judg(e)ment of the court, from this, etc.) that... из того, что вы говорите и т. д., следует /вытекает, явствует/, что...; as appears from these records... как следует из этих протоколов... -
20 Bennet, Spencer Gordon
1893-1987Debuta en el cine como especialista para Edison en los anos 10 del pasado siglo, antes de convertirse en ayudante de direccion de George Seitz y, despues, en realizador de seriales. En el ano 35 empieza a trabajar para Columbia, dirigiendo westerns, uno detras de otro, a un ritmo frenetico. Durante las decadas de los 40 y 50 se convierte en el gran especialista de Hollywood en seriales, para Republic y para Columbia, llegando a dirigir para esta el que historicamente se considera el ultimo de ellos, Blazing the Overland Trail, en 1956. Como tantos otros, termino dando con sus huesos en la television. La ultima frontera (The Black Ghost) es una version reducida, para un unico largometraje, del serial The Last Frontier.Rogue of the Rio Grande. 1930. 57 minutos. Blanco y Negro. World Wide. Jose Bohr, Myrna Loy.The Last Frontier (co-d.: Thomas L. Storey). 1932. 213 minutos. 12 capitu los. Blanco y Negro. RKO. Lon Chaney, Jr., Dorothy Gulliver.The Black Ghost (La ultima frontera) (co-d.: Thomas L. Storey). 1932. 70 minutos. Blanco y Negro. RKO. Lon Chaney, Jr., Dorothy Gulliver.Jaws of Justice. 1933. 58 minutos. Blanco y Negro. Principal Pictures. Jack Perrin, Ruth Sullivan.Ferocious Pal. 1934. 55 minutos. Blanco y Negro. Principal Pictures. Ruth Sullivan, Tom London.Western Courage. 1935. 61 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Charles K. French.Lawless Riders. 1935. 57 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Harry Woods, Frank Yaconelli.Heir to Trouble. 1935. 59 minutos. Blanco y Negro. Columbia. Ken Maynard, Joan Perry, Harry Woods.The Cattle Thief (El cuatrero). 1936. 50 minutos. Blanco y Negro. Columbia. Ken Maynard, Geneva Mitchell, Ward Bond.Avenging Waters (El torrente vengador). 1936. 57 minutos. Blanco y Negro. Columbia. Ken Maynard, Beth Marion, Ward Bond.Heroes of the Range. 1936. 58 minutos. Blanco y Negro. Columbia. Ken Maynard, June Gale, Harry Woods.The Fugitive Sheriff (El sheriff vindicado). 1936. 58 minutos. Blanco y Negro. Columbia. Ken Maynard, Beth Marion, Walter Miller.The Unknown Ranger. 1936. 57 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Martha Tibbetts.Rio Grande Ranger. 1936. 54 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Iris Meredith.Ranger Courage. 1937. 58 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Martha Tibbetts.Law of the Ranger. 1937. 57 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Elaine Shepard.Reckless Ranger. 1937. 56 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Louise Small, Jack Perrin.The Rangers Step In. 1937. 58 minutos. Blanco y Negro. Larry Darmour (Columbia). Bob Allen, Eleanor Stewart.Across the Plains. 1939. 59 minutos. Blanco y Negro. Monogram. Jack Randall, Joyce Bryant, Frank Yaconelli.Riders of the Frontier. 1939. 58 minutos. Blanco y Negro. Monogram. Tex Ritter, Jean Joyce, Jack Rutherford.Oklahoma Terror. 1939. 50 minutos. Blanco y Negro. Monogram. Jack Randall, Virginia Carroll, Al St John.Westbound Stage. 1939. 56 minutos. Blanco y Negro. Monogram. Tex Ritter, Muriel Evans.Cowboy from Sundown. 1940. 58 minutos. Blanco y Negro. Monogram. Tex Ritter, Pauline Haddon, Roscoe Ates.Ridin’ the Cherokee Trail. 1941. 62 minutos. Blanco y Negro. Monogram. Tex Ritter, Betty Miles, Slim Andrews.Arizona Bound. 1941. 55 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Luana Walters, Raymond Hatton.The Gunman from Bodie. 1941. 62 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Christine McIntyre, Raymond Hatton.The Valley of Vanishing Men. 1942. 280 minutos. 15 capitulos. Blanco y Negro. Columbia. Bill Elliott, Carmen Morales, Slim Summerville.Calling Wild Bill Elliott. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Ann Jeffreys, George Hayes.Canyon City. 1943. 57 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.California Joe. 1943. 55 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.Beneath Western Skies. 1944. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Smiley Burnette, Effie Laird.Mojave Firebrand. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.Tucson Raiders. 1944. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Peggy Stewart, George Hayes, Bob Blake.Code of the Prairie. 1944. 56 minutos. Blanco y Negro. Republic. Smiley Burnette, Sunset Carson, Peggy Stewart.Zorro’ Black Whip (Latigo negro) (co-d.: Wallace Grissell). 1944. 211 minutos. 12 capitulos. Blanco y Negro. Republic. George J. Lewis, Linda Stirling.The Lone Texas Ranger. 1945. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Helen Talbot, Bob Blake.The Phantom Rider (co-d.: Fred C. Brannon). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Kent, Peggy Stewart.King of the Forest Rangers (co-d.: Fred Brannon). 1946. 167 minutos. 12 capitulos. Blanco y Negro. Republic. Larry Thompson, Helen Talbot.Son of Zorro (co-d.: Fred C. Brannon). 1947. 180 minutos. 13 capitulos. Blanco y Negro. Republic. George Turner, Peggy Stewart.Cody of the Pony Express. 1950. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Peggy Stewart, Dickie Moore.Roar of the Iron Horse, Rail-Blazer of the Apache Trail (co-d.: Thomas Carr). 1950. 260 minutos. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Virginia Herrick.Brave Warrior. 1952. 73 minutos. Technicolor. Columbia. Jon Hall, Christine Larson.Son of Geronimo: Apache Avenger. 1952. 240 minutos. 15 capitulos. Blanco y Negro. Columbia. Clayton Moore, Rodd Redwing, Eileen Rowe.Gunfighters of the Northwest. 1954. 15 capitulos. Blanco y Negro. Columbia. Jock O’Mahoney, Phyllis Coates, Clayton Moore.Riding with Buffalo Bill. 1954. 15 capitulos. Blanco y Negro. Columbia. Marshall Reed, Rick Vallin, Joanne Rio.Perils of the Wilderness. 1956. 15 capitulos. Blanco y Negro. Columbia. Dennis Moore, Richard Emory, Eve Anderson (Evelyn Finley).Blazing the Overland Trail. 1956. 15 capitulos. Blanco y Negro. Columbia. Lee Roberts, Dennis Moore, Norma Brooks.Requiem for a Gunfighter. 1965. 91 minutos. Technicolor. Techniscope. Embassy. Rod Cameron, Stephen McNally, Olive Sturgess.The Bounty Killer. 1965. 92 minutos. Technicolor. Techniscope. Embassy. Dan Duryea, Audrey Dalton, Rod Cameron.English-Spanish dictionary of western films > Bennet, Spencer Gordon
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